- Weekly residential modules at Cittadellarte: a programme of seminars and laboratories open to students, professionals, social entrepreneur, activists and members of society, developed following a participatory teaching format, based on collective debates and knowledge exchange between mentor and participants. The modules draw some of their core case studies from Geographies of Change, a participatory online archive collecting and interlinking organisations active in the fields of governance and policy-making, alternative economic models, urban systems, environment, education and communication.
Mentors are often former UNIDEE residents, participants to visible project and to ARTInRETI platforms, ambassadors for Third Paradise, Cittadellarte’s current and past associates. Amongst the new collaborators, scholars and researchers, curators, cultural operators, agents of change within specific territorial realms.
Aimed at delving into three broad thematic areas, which represent the first lemmas for the construction of a Triennal (2015-2017) Shared Collective Vocabulary of Ideas on Cittadellarte’s Art and Social Responsible Transformation, developed across UNIDEE - University of Ideas’ educational programme. This Vocabulary intends to make available the theoretical and project materials used by the mentors and the speakers, and produced by the participants throughout the weekly modules.
- Seminar modules outside Cittadellarte in collaboration with universities, Fine Arts academies, artistic research centres in Europe and beyond addressed to graduate and postgraduate students, PhD students and researchers.
During the year 2016 the relationships with Italian University and Fine Arts Academy will be reinforced and new collaborations will be open to partners such as Università degli Studi di Torino; Università IUAV, Venezia; Accademia di Belle Arti di Brera, Milano; Accademia di Belle Arti di Roma; Accademia di Belle Arti di Firenze; ISIA-Istituto Superiore per le Industrie Artistiche di Faenza; SACI Studio Art Centers International, Firenze; Fondazione Bevilacqua La Masa, Venezia; Ecole supérieure d'art et design – ESAD, Grenoble (FR); École cantonale d'art du Valais – ECAV, Sierre (CH); Fundación Universitaria Bellas Artes, Medellín (Co); Instituto Superior de Arte-ISA, La Habana (Cuba); Queens Museum, New York.
- Residency programmes at Cittadellarte for international artists, organised in collaboration with institutional partners, e.g. RESO’ network, A. M. QattanFoundation (Palestine), Inlaks Shivdasani Foundation (India), aiming at educating and producing. During their stay at Cittadellarte the artists are accompanied along an educational path based on an in-depth analysis of specific issues in relation to a responsible social transformation. A flexible programme encompassing debate series, meetings with curators, artists and social entrepreneurs, experts’ studio visits, conferences with guests, visits to exhibitions and places relevant to the themes discussed, etc., will be the companion to this residential journey. In terms of production, the residency aims at facilitating the creation of new projects for exhibitions, events, public debates, publications etc.
- Connective Residency at Cittadellarte: launched in 2015, this residency programme of six months is open to Italian and international artists and collectives interested in exploring and expanding the themes of social responsible transformation, selected by direct invitation as well as via open call. The aim is to establish active “connections” between the resident artists’ own practices and the content and dynamics brought forth by the weekly residential modules and all relevant project activities developed within Cittadellarte.
The invited artist for the 2015's edition were Andrea Caretto and Raffaella Spagna.
In 2016 the artist in residency is Leone Contini.
Recipe for Stone Soup: How to Let Time Cook Us All. Precedures for Conversational Practice in Contemporary Art
A folk tale found in many cultures speaks of the magical culinary ability of a host surprised by a sudden guest which consists of her being able to cook a delicious soup, out of odds and ends, (with a hot stone as a base ingredient), apparently out of nothing. The host makes the delicious soup, insisting all the time, that it is made of nothing but stone, while borrowing odd bits of flavouring and an assortment of ingredients, from the guest and from neighbours.
Raqs Media Collective will deploy this method to devise a set of procedures for the making of an art work / situation while directly addressing the questions of temporality, responsibility and participation. A gathering of participants who commit to acting together for a few days will be asked by Raqs to contribute a “hot stone” - an idea, an image, a question, a memory, a hope or an anxiety - these “hot stones” are the catalysts for a “soup” or “soups” - that Raqs will cook, together with the participants during the time of the module. The “stones” will interact with each other and with their contributors, over time, to produce a matrix of possibilities - a soup full of charmed and flavoursome particles. Some of this may give rise to art works, or curatorial, or educational projects.
In this way, Raqs will introduce methodologies of collaborative work, protocols of thinking together in a public way, and invite the module participants to consider the task of thinking together as a joyous, and delicious, activity.
Guided tour to Cittadellarte, including the Pistoletto, Arte Povera collections and temporary exhibitions (curated by Luca Furlan)
Setting out of the idea of the “hot stone”
Discussion of what catalysts can mean in artistic and curatorial contexts
Viewing of Capital of Accumulation (Raqs Media Collective); discussion of what could have been the “hot stone” in this work
Discussion of assignment for the next day - Readings, as well as the task to find a “hot stone” for each participant
Report on assignment - each participant to bring their “hot stones” to the table, accompanied by showing of short excerpts from the participants selected works
Raqs feedback on the participants work, and assignment
Discussion. Participants to jointly propose two works (by other artists) to be seen by the group
Discussion of Readings - “Wonderful Uncertainty”, “For the Curatorial, from the Trapeze” and “Syn Processes” (Texts by Raqs)
Viewing of Raqs work - “Strikes at Time” Discussion. Further refinement of Participants’ “Hot Stone” projects, in smaller groups
Viewing of the works proposed by the group
a day with Rasmus Nielsen (Superflex)
Screenings and discussion of Superflex works
Viewing of the works proposed by the group. (contd.)
Participants spend the day working on their projects. Raqs visits them in turns, and one on one discussions
Finishing of projects
Preparation of presentations
Presentation and performances of the Hot Stone Projects throughout the day
The Stone Soup Party (Based on pot-luck principles!)
The mentor will prepare a reader for participants with key texts, some of which will be discussed during the week.
Wonderful Uncertainty (Raqs Media Collective)
For the Curatorial, from the Trapeze (Raqs Media Collective)
Syn Processes (Raqs Media Collective)
BIOGRAPHY AND STATEMENT
Raqs Media Collective enjoys playing a plurality of roles, often appearing as artists, occasionally as curators, sometimes as philosophical agent provocateurs. They make contemporary art, have made films, curated exhibitions, edited books, staged events, collaborated with architects, computer programmers, writers and theatre directors and have founded processes that have left deep impacts on contemporary culture in India.
Raqs (pron. rux) follows its self declared imperative of “kinetic contemplation” to produce a trajectory that is restless in terms of the forms and methods that it deploys even as it achieves a consistency of speculative procedures.
The Raqs Media Collective was founded in 1992 by Jeebesh Bagchi, Monica Narula and Shuddhabrata Sengupta. Raqs remains closely involved with the Sarai program at the Centre for the Study of Developing Societies (www.sarai.net), an initiative they co-founded in 2000.
Rasmus Nielsen is co-founder (1993, with Jakob Fenger and Bjørnstjerne Christiansen) of the Danish artists’ group Superflex. Superflex describe their projects as Tools, as proposals that invite people to participate in and communicate the development of experimental models that alter the economic production conditions. Often the projects are assisted by experts who bring in their special interest, these tools can then be further used and modified by their users.
Superflex have had solo exhibitions, among others, at the Kunsthalle Basel (CH); GFZK and Shirn Kunsthalle (DE); REDCAT Gallery, Gallery 1301PE and Hirshhorn Museum and Sculpture Garden (USA); Mori Museum (JP). The group has participated in international arts biennials such as Gwangju (KR); Istanbul (TR); São Paulo (BR); Venice (IT).