UNIDEE - University of Ideas | Recipe for Stone Soup: How to Let Time Cook Us All. Precedures for Conversational Practice in Contemporary Art

The structure of UNIDEE - University of Ideas is articulated through three types of activities investigating the relationship between art and public sphere:

Weekly residential modules taking place at Cittadellarte, open to students (who can gain ECTS credits), professionals, activists as well as members of society. They are held by mentors who are experts on the three broad thematic areas chosen each year and examined in depth through participatory practices and a multidisciplinary approach.
Residency programmes for international artists at Cittadellarte.
Connective Residency at Cittadellarte.

Weekly residential modules at Cittadellarte: a programme of seminars and laboratories open to students, professionals, social entrepreneur, activists and members of society, developed following a participatory teaching format, based on collective debates and knowledge exchange between mentor and participants. The modules draw some of their core case studies from Geographies of Change, a participatory online archive collecting and interlinking organisations active in the fields of governance and policy-making, alternative economic models, urban systems, environment, education and communication.

Mentors are often former UNIDEE residents, participants to visible project and to ARTInRETI platforms, ambassadors for Third Paradise, Cittadellarte’s current and past associates. Amongst the new collaborators, scholars and researchers, curators, cultural operators, agents of change within specific territorial realms.

Aimed at delving into three broad thematic areas, which represent the first lemmas for the construction of a Triennal (2015-2017) Shared Collective Vocabulary of Ideas on Cittadellarte’s Art and Social Responsible Transformation, developed across UNIDEE - University of Ideas’ educational programme. This Vocabulary intends to make available the theoretical and project materials used by the mentors and the speakers, and produced by the participants throughout the weekly modules.
Residency programmes at Cittadellarte for international artists, organised in collaboration with institutional partners, e.g. RESO’ network, A. M. QattanFoundation (Palestine), Inlaks Shivdasani Foundation (India), Fundación Museos de la Ciudad (Ecuador), Yarat Contemporary Art Space (Azerbaijan), aiming at educating and producing.
During their stay at Cittadellarte the artists are accompanied along an educational path based on an in-depth analysis of specific issues in relation to a responsible social transformation. A flexible programme encompassing debate series, meetings with curators, artists and social entrepreneurs, experts’ studio visits, conferences with guests, visits to exhibitions and places relevant to the themes discussed, etc., will be the companion to this residential journey. In terms of production, the residency aims at facilitating the creation of new projects for exhibitions, events, public debates, publications etc.
Connective Residency at Cittadellarte: launched in 2015, this residency programme of six months is open to Italian and international artists and collectives interested in exploring and expanding the themes of social responsible transformation, selected by direct invitation as well as via open call. The aim is to establish active “connections” between the resident artists’ own practices and the content and dynamics brought forth by the weekly residential modules and all relevant project activities developed within Cittadellarte.

The invited artists who took part in the Connective residency are: Andrea Caretto and Raffaella Spagna (2015); Leone Contini (2016); Mattia Paco Rizzi (2017).

Recipe for Stone Soup: How to Let Time Cook Us All. Precedures for Conversational Practice in Contemporary Art

Mentor:

Monica Narula (Raqs Media Collective)

Guest:

Rasmus Nielsen (Superflex)

When:

23 Nov / 27 Nov, 2015

Where:

Cittadellarte, Biella

Language:

English

TOPICS/TAGS: Improvisatory knowledge, foraging practices, conversation, the effect of time on a gathering of ideas

Module outline

A folk tale found in many cultures speaks of the magical culinary ability of a host surprised by a sudden guest which consists of her being able to cook a delicious soup, out of odds and ends, (with a hot stone as a base ingredient), apparently out of nothing. The host makes the delicious soup, insisting all the time, that it is made of nothing but stone, while borrowing odd bits of flavouring and an assortment of ingredients, from the guest and from neighbours.

Raqs Media Collective will deploy this method to devise a set of procedures for the making of an art work / situation while directly addressing the questions of temporality, responsibility and participation. A gathering of participants who commit to acting together for a few days will be asked by Raqs to contribute a “hot stone” - an idea, an image, a question, a memory, a hope or an anxiety - these “hot stones” are the catalysts for a “soup” or “soups” - that Raqs will cook, together with the participants during the time of the module. The “stones” will interact with each other and with their contributors, over time, to produce a matrix of possibilities - a soup full of charmed and flavoursome particles. Some of this may give rise to art works, or curatorial, or educational projects.

In this way, Raqs will introduce methodologies of collaborative work, protocols of thinking together in a public way, and invite the module participants to consider the task of thinking together as a joyous, and delicious, activity.

SCHEDULE

November 23rd
morning
Guided tour to Cittadellarte, including the Pistoletto, Arte Povera collections and temporary exhibitions (curated by Luca Furlan)
Introductions
afternoon
Setting out of the idea of the “hot stone”
Discussion of what catalysts can mean in artistic and curatorial contexts
Viewing of Capital of Accumulation (Raqs Media Collective); discussion of what could have been the “hot stone” in this work
Discussion of assignment for the next day - Readings, as well as the task to find a “hot stone” for each participant

November 24th
morning
Report on assignment - each participant to bring their “hot stones” to the table, accompanied by showing of short excerpts from the participants selected works
Raqs feedback on the participants work, and assignment
Discussion. Participants to jointly propose two works (by other artists) to be seen by the group
afternoon
Discussion of Readings - “Wonderful Uncertainty”, “For the Curatorial, from the Trapeze” and “Syn Processes” (Texts by Raqs)
break
Viewing of Raqs work - “Strikes at Time” Discussion. Further refinement of Participants’ “Hot Stone” projects, in smaller groups
evening
Viewing of the works proposed by the group

November 25th
a day with Rasmus Nielsen (Superflex)
morning
Screenings and discussion of Superflex works
afternoon
Viewing of the works proposed by the group. (contd.)

November 26th
Participants spend the day working on their projects. Raqs visits them in turns, and one on one discussions
Finishing of projects
Preparation of presentations

November 27th
Presentation and performances of the Hot Stone Projects throughout the day
evening
The Stone Soup Party (Based on pot-luck principles!)

REFERENCES

The mentor will prepare a reader for participants with key texts, some of which will be discussed during the week.

Wonderful Uncertainty (Raqs Media Collective)

For the Curatorial, from the Trapeze (Raqs Media Collective)

Syn Processes (Raqs Media Collective)

Mentor

BIOGRAPHY AND STATEMENT

Raqs Media Collective enjoys playing a plurality of roles, often appearing as artists, occasionally as curators, sometimes as philosophical agent provocateurs. They make contemporary art, have made films, curated exhibitions, edited books, staged events, collaborated with architects, computer programmers, writers and theatre directors and have founded processes that have left deep impacts on contemporary culture in India.
Raqs (pron. rux) follows its self declared imperative of “kinetic contemplation” to produce a trajectory that is restless in terms of the forms and methods that it deploys even as it achieves a consistency of speculative procedures.

The Raqs Media Collective was founded in 1992 by Jeebesh Bagchi, Monica Narula and Shuddhabrata Sengupta. Raqs remains closely involved with the Sarai program at the Centre for the Study of Developing Societies (www.sarai.net), an initiative they co-founded in 2000.

GUEST
Rasmus Nielsen is co-founder (1993, with Jakob Fenger and Bjørnstjerne Christiansen) of the Danish artists’ group Superflex. Superflex describe their projects as Tools, as proposals that invite people to participate in and communicate the development of experimental models that alter the economic production conditions. Often the projects are assisted by experts who bring in their special interest, these tools can then be further used and modified by their users.

Superflex have had solo exhibitions, among others, at the Kunsthalle Basel (CH); GFZK and Shirn Kunsthalle (DE); REDCAT Gallery, Gallery 1301PE and Hirshhorn Museum and Sculpture Garden (USA); Mori Museum (JP). The group has participated in international arts biennials such as Gwangju (KR); Istanbul (TR); São Paulo (BR); Venice (IT).
www.superflex.net

download the full documentation about the module and the mentor in PDF format

Participation fee

570.00 €