- Weekly residential modules at Cittadellarte: a programme of seminars and laboratories open to students, professionals, social entrepreneur, activists and members of society, developed following a participatory teaching format, based on collective debates and knowledge exchange between mentor and participants. The modules draw some of their core case studies from Geographies of Change, a participatory online archive collecting and interlinking organisations active in the fields of governance and policy-making, alternative economic models, urban systems, environment, education and communication.
Mentors are often former UNIDEE residents, participants to visible project and to ARTInRETI platforms, ambassadors for Third Paradise, Cittadellarte’s current and past associates. Amongst the new collaborators, scholars and researchers, curators, cultural operators, agents of change within specific territorial realms.
Aimed at delving into three broad thematic areas, which represent the first lemmas for the construction of a Triennal (2015-2017) Shared Collective Vocabulary of Ideas on Cittadellarte’s Art and Social Responsible Transformation, developed across UNIDEE - University of Ideas’ educational programme. This Vocabulary intends to make available the theoretical and project materials used by the mentors and the speakers, and produced by the participants throughout the weekly modules.
- Seminar modules outside Cittadellarte in collaboration with universities, Fine Arts academies, artistic research centres in Europe and beyond addressed to graduate and postgraduate students, PhD students and researchers.
During the year 2016 the relationships with Italian University and Fine Arts Academy will be reinforced and new collaborations will be open to partners such as Università degli Studi di Torino; Università IUAV, Venezia; Accademia di Belle Arti di Brera, Milano; Accademia di Belle Arti di Roma; Accademia di Belle Arti di Firenze; ISIA-Istituto Superiore per le Industrie Artistiche di Faenza; SACI Studio Art Centers International, Firenze; Fondazione Bevilacqua La Masa, Venezia; Ecole supérieure d'art et design – ESAD, Grenoble (FR); École cantonale d'art du Valais – ECAV, Sierre (CH); Fundación Universitaria Bellas Artes, Medellín (Co); Instituto Superior de Arte-ISA, La Habana (Cuba); Queens Museum, New York.
- Residency programmes at Cittadellarte for international artists, organised in collaboration with institutional partners, e.g. RESO’ network, A. M. QattanFoundation (Palestine), Inlaks Shivdasani Foundation (India), aiming at educating and producing. During their stay at Cittadellarte the artists are accompanied along an educational path based on an in-depth analysis of specific issues in relation to a responsible social transformation. A flexible programme encompassing debate series, meetings with curators, artists and social entrepreneurs, experts’ studio visits, conferences with guests, visits to exhibitions and places relevant to the themes discussed, etc., will be the companion to this residential journey. In terms of production, the residency aims at facilitating the creation of new projects for exhibitions, events, public debates, publications etc.
- Connective Residency at Cittadellarte: launched in 2015, this residency programme of six months is open to Italian and international artists and collectives interested in exploring and expanding the themes of social responsible transformation, selected by direct invitation as well as via open call. The aim is to establish active “connections” between the resident artists’ own practices and the content and dynamics brought forth by the weekly residential modules and all relevant project activities developed within Cittadellarte.
The invited artist for the 2015's edition were Andrea Caretto and Raffaella Spagna.
In 2016 the artist in residency is Leone Contini.
(Over)worked Bodies, Care and Maintenance
How do capitalist imperatives condition us to perform unsustainably as individual subjects? As cultural workers grappling with the neoliberal imperatives shaping the field's relations, how do these manifest in the mental and physical stresses of the contemporary labor form? The module departs from its context, Cittadellarte-Pistoletto Foundation, a former textile factory transformed into a site of cultural industry, to examine the formation of our desires around our work, its impact on our bodies and modes of maintenance.
While ideology makes us agents of a 'success story' that de-politicizes pain and pushes our bodies to their literal breaking points, how can an examination of maintenance as a form of individual and communal durational processes usually dismissed as wastes of time or obstructing productivity, embody a resistance against efficiency and towards an alteration of ways of being? Bringing debility, stress and maintenance into view exposes a constantly shifting set of social, political, and affective relations and invites questions about what needs to be maintained and under what conditions we reproduce ourselves.
Over the week-long session we aim to identify and acknowledge these critical constructs shaping our practices, we undertake a collective research to work towards unlearning these moralities through alternative pedagogy, theatre of the oppressed exercises, disabilities studies, workerist theory and horizontal learning. The module co-developed by curator Jason Waite and artist Adelita Husni-Bey, working through our individual and collective embedded ideologies through a three-part focus on the body’s routines, disruptive discourses, and neoliberal modes of desire cooption.
Guided tour to Cittadellarte (Curated by Elena Rosina), including the Pistoletto, Arte Povera collections and temporary exhibitions.
Introduction to the Theorem of Trinamics, the symbol of the Third Paradise and the concept of Demopraxy.
Group introduction presentations.
Introduction to module.
Collective reading I.
Constructing a common vocabulary .
Mapping our mutual conditions.
Collective reading II.
Theater of the oppressed en-acting our mutual conditions I.
Collective reading III.
Theater of the oppressed en-acting our mutual conditions II.
Collective reading IV.
Critical practices in maintenance.
Mobilizing collective care, foundation as home.
Preparations for self-organized manifestations.
Maintaining our future: self-organized forms of mutual care.
The mentor will prepare a reader for participants with key texts, some of which will be discussed during the week.
• F. Berardi-BIFO, The Soul at Work: From Alienation to Autonomy, Los Angeles: Semiotext(e), 2009
• A. Boal, Games for Actors and Non-Actors, London: Routledge, 1992
• S. Faye, “A Problem Shared: Our Social Media and My Mental Illness”, in Dazed, 2015
• E. Feder Kittay, “The Ethics of Care, Dependence, and Disability”, in Ratio Juris. Vol. 24 No. 1, pp. 49–58, March 2011
• D. Gambs, “Training Movement”, in Qualitative Inquiry, Vol. 11: No. 157, pp. 157-169, 2005
• M. Laderman Ukeles, “Manifesto for Maintenance Art, 1969!”, 1969
• Adelita Husni-Bey, Movement Break, Kadist Foundation, 2015-2016 [http://www.kadist.org/en/programs/all/2431]
• Nina Horisaki-Christians, Andrea Neustein, Victoria Rogers, and Jason Waite, Maintenance Required, the Kitchen, 2013. [http://thekitchen.org/event/maintenance-required]
• Park McArthur, Sort of like a hug, 2014 [http://www.essexstreet.biz/files/Park%20McArthur%20-%20Sort%20of%20Like%20a%20Hug.pdf]
• Pilvi Takala, The Trainee, 2008 [http://www.frieze.com/issue/article/pilvi-takala/]
• Working Artists for a Greater Economy (W.A.G.E.) [http://www.wageforwork.com/]
Jason Waite is a New York and Utrecht-based independent curator focused on forms of practice toward forming agency across diverse fields such as art, society, politics and critical theory. A recently co-curated exhibition, Maintenance Required, explored modes of individual and systemic maintenance in diverse artistic practices with a focus on the practice of Mierle Laderman Ukeles, held at the Kitchen, New York, during the Helen Rubinstein Curatorial Fellowship at the Whitney Museum Independent Study Program. He co-curated “Don't Follow the Wind”, an ongoing project inside the uninhabited Fukushima exclusion zone; “The Real Thing?”, Palais de Tokyo, Paris; “The Common Sense” by Melanie Gilligan; and “White Paper: The Law” by Adelita Husni-Bey at Casco – Office for Art, Design and Theory, Utrecht, where he was recently curator. He holds an M.A. in Art and Politics from Goldsmiths College, London.
Adelita Husni-Bey is an artist and pedagogue based in New York. Her practice is based on workshops in which she explores contemporary social topics with participants who collaborate critically in shaping the outcome. Her recent solo project at Kadist Foundation in San Francisco worked with teenage athletes who had been injured through their sporting activities, to discuss the problematics of competition and de-individualize feelings of failure. Husni-Bey is a graduate of Goldsmiths University and the Whitney Museum Independent Study Program. Her work has been featured in numerous exhibitions such as “Playing Truant”, Gasworks, London; “Undiscovered Worlds”, the High Line, New York; “Really Useful Knowledge”, Reina Sofia Museum, Madrid; “Utopia for Sale?”, MAXXI Museum, Rome and TRACK, S.M.A.K museum, Ghent.
The residency fee includes accomodation and half-board.