Partecipanti al programma formativo di UNIDEE – Università delle Idee

SECONDO TRIMESTRE 2017:

Noor Abed (1988, PS/US) ha frequentato il modulo “The Subtle Urgencies” (borsa di studio A.M. Qattan Foundation/UNIDEE)
vimeo.com/210695159

Miguel Amado (1973, P/UK) ha frequentato il modulo “96 Extraordinary Cockroaches”
www.artandeducation.net/directory/79393/middlesbrough-institute-of-modern-art-at-teesside-university 

Jasmine Bakalarz (1985, RA) ha frequentato il modulo “And if… Just if… (why the alternative Y did not take place)” - in partnership con M.A.P.S. - Arts in Public Spheres, ECAV, Sierre

Elena Bellantoni (1975, IT) ha frequentato il modulo “The Subtle Urgencies”
vimeo.com/user1954949/about

Chiara Bertin (1985, IT) ha frequentato il modulo “And if… Just if… (why the alternative Y did not take place)” - in partnership con M.A.P.S. - Arts in Public Spheres, ECAV, Sierre

Željka Blakšić (1982, HR) ha frequentato il modulo “Trauma & Revival: Contemporary Encounters” - un progetto co-finanziato dal Creative Europe Programme della EU
www.gitablak.com

Kristina Borg (1987, M / IT) ha frequentato il modulo “Socially and Community Engaged Art. What is it and who is doing it?”
independent.academia.edu/KristinaBorg/CurriculumVitae

Anna Borghi (1980, IT) ha frequentato il modulo “Socially and Community Engaged Art. What is it and who is doing it?”
www.annaborghi.com

Katarina Bramer (1969, S) ha frequentato il modulo “Socially and Community Engaged Art. What is it and who is doing it?”
www.katarinabramer.com

Eva Bullens (1987, NL) ha frequentato il modulo “Socially and Community Engaged Art. What is it and who is doing it?”
www.evabullens.org

Laetitia Carlotti (1972, F) ha frequentato il modulo “Socially and Community Engaged Art. What is it and who is doing it?”
www.arterra.corsica/portofolio_page/laetitia-carlotti-good/

Eduardo Cassina (1986, E) ha frequentato il modulo “Trauma & Revival: Contemporary Encounters” - un progetto co-finanziato dal Creative Europe Programme della EU 
www.metasitu.com

Borana Dollanga (1993, AL) ha frequentato il modulo “The Subtle Urgencies” (borsa di studio dal Ministero della Cultura della Repubblica d'Albania)

Armando Ducellari (1990, AL) ha frequentato il modulo “The Subtle Urgencies” (borsa di studio dal Ministero della Cultura della Repubblica d'Albania) 

Viktorija Eksta (1987, LV) ha frequentato il modulo “Trauma & Revival: Contemporary Encounters” - un progetto co-finanziato dal Creative Europe Programme della EU
www.vikaeksta.com

Marisa Ferreira (1983, P) ha frequentato il modulo “Socially and Community Engaged Art. What is it and who is doing it?”
www.marisa-ferreira.com

Krzysztof Gutfranski (1982, PL) ha frequentato il modulo “Trauma & Revival: Contemporary Encounters” - un progetto co-finanziato dal Creative Europe Programme della EU
www.gutfranski.com

Suzannah Henty (1992, AUS) ha frequentato il modulo “Trauma & Revival: Contemporary Encounters” - un progetto co-finanziato dal Creative Europe Programme della EU

Olivia Heron (1985, UK) ha frequentato il modulo “Socially and Community Engaged Art. What is it and who is doing it?”
www.visitmima.com

Alina Iakubenko (1983, UA) ha frequentato il modulo “96 Extraordinary Cockroaches” (borsa di studio RESO'Lab project)

Anne-Loyse Jaques (1982, CH) ha frequentato il modulo “And if… Just if… (why the alternative Y did not take place)” - in partnership con M.A.P.S. - Arts in Public Spheres, ECAV, Sierre

Altin Krasniqi (1994, RKS) ha frequentato il modulo “The Subtle Urgencies” (borsa di studio dalla National Gallery of Kosovo)

Lori Lako (1991, AL) ha frequentato il modulo “The Subtle Urgencies” (borsa di studio da ArtHouse, Scutari)
startartprojects.com/projects/tu35/

Olga Lukyanova (1988, RUS) ha frequentato il modulo “Trauma & Revival: Contemporary Encounters” - un progetto co-finanziato dal Creative Europe Programme della EU
www.dropbox.com

Giles Maffett (1988, UK) ha frequentato il modulo “Socially and Community Engaged Art. What is it and who is doing it?”
twitter.com/GilesMaffett

Leonardo Mastromauro (1988, IT) ha frequentato il modulo “Trauma & Revival: Contemporary Encounters” - un progetto co-finanziato dal Creative Europe Programme della EU

Victoria McKenzie (1993, JA/CDN) ha frequentato il modulo “96 Extraordinary Cockroaches”
victoriamckenzie.format.com

Dina Mimi (1994, HKJ) ha frequentato il modulo “And if… Just if… (why the alternative Y did not take place)” - in partnership con M.A.P.S. - Arts in Public Spheres, ECAV, Sierre

Carisa Mitchell (1986, US / CH) ha frequentato il modulo “Socially and Community Engaged Art. What is it and who is doing it?”
www.carisamitchell.com

Nicholas Morris (1990, US / UK / F) ha frequentato il modulo “Socially and Community Engaged Art. What is it and who is doing it?”
www.nicholasedwardmorris.com

Kosmas Nikolaou (1984, GR) ha frequentato il modulo “Trauma & Revival: Contemporary Encounters” - un progetto co-finanziato dal Creative Europe Programme della EU
www.3137.gr

Anne Papalia (1957, DZ / F) ha frequentato il modulo “Socially and Community Engaged Art. What is it and who is doing it?”
http://urlz.fr/5q3Z

Soledad Pinto (1978, RCH) ha frequentato il modulo “The Subtle Urgencies”
www.solepinto.com

David Romeron (1979, RCH) ha frequentato il modulo “And if… Just if… (why the alternative Y did not take place)” - in partnership con M.A.P.S. - Arts in Public Spheres, ECAV, Sierre

Matthew Rosen (1993, GB) ha frequentato il modulo “Trauma & Revival: Contemporary Encounters” - un progetto co-finanziato dal Creative Europe Programme della EU
mattrosen.tumblr.com

Oleksii Sai (1975, UA) ha frequentato il modulo “96 Extraordinary Cockroaches” (borsa di studio RESO'Lab project)
www.oleksiysai.com/bio/

Jean Salamin (1990, CH) ha frequentato il modulo “And if… Just if… (why the alternative Y did not take place)” - in partnership con M.A.P.S. - Arts in Public Spheres, ECAV, Sierre

Vanessa Sandoval (1990, CO) ha frequentato il modulo “The Subtle Urgencies” (borsa di studio RESO' project)
vanessasdovalc.tumblr.com/

Vitalij Strigunkov (1990, LT) ha frequentato il modulo “Trauma & Revival: Contemporary Encounters” - un progetto co-finanziato dal Creative Europe Programme della EU
vimeo.com/user15334164

Jetullah Sylejmani (1985, RKS) ha frequentato il modulo “The Subtle Urgencies” (borsa di studio dalla National Gallery of Kosovo) 

Ariane Teodoris (1984, CH) ha frequentato il modulo “And if… Just if… (why the alternative Y did not take place)” - in partnership con M.A.P.S. - Arts in Public Spheres, ECAV, Sierre

Sinethemba Twalo (1985, ZA) ha frequentato il modulo “And if… Just if… (why the alternative Y did not take place)” - in partnership con M.A.P.S. - Arts in Public Spheres, ECAV, Sierre

Helen Welford (1985, UK) ha frequentato il modulo “Socially and Community Engaged Art. What is it and who is doing it?”
www.visitmima.com


PRIMO TRIMESTRE 2017:

Edoardo Aruta (1981, IT) ha frequentato il modulo “Errasmus Mundus. The Desire of Error in Revolutionary Times”
www.edoardoaruta.com
http://impresari.tumblr.com

Marie Henrich (1995, FR) ha frequentato il modulo “Errasmus Mundus. The Desire of Error in Revolutionary Times” (borsa di studio dell’École supérieure d'art et design - ESAD, Grenoble)

Manuel Focareta (1990, IT) ha frequentato il modulo “Errasmus Mundus. The Desire of Error in Revolutionary Times” (borsa di studio dell’Accademia di Belle Arti di Roma)
www.numerocromatico.com
www.nodesmagazine.com

Peter Kaergaard Andersen (1988, NL) ha frequentato il modulo “Errasmus Mundus. The Desire of Error in Revolutionary Times” (borsa di studio illycaffé/UNIDEE)
www.jamboy.dk

Stefania Crobe (1980, IT) ha frequentato il modulo “Errasmus Mundus. The Desire of Error in Revolutionary Times”
www.sitilab.org

Lasse Emil Larsen Mouritzen (1988, NL) ha frequentato il modulo “Errasmus Mundus. The Desire of Error in Revolutionary Times”
www.jamboy.dk

Miru Kim (1995, D / FR) ha frequentato il modulo “Proposal for Schizoanalytical Seminar II: Title Forthcoming” (borsa di studio dell’École supérieure d'art et design - ESAD, Grenoble)
http://mirumirumirumiru.tumblr.com

Leon Hilton (1984, US) ha frequentato il modulo “Proposal for Schizoanalytical Seminar II: Title Forthcoming”
http://leonjhilton.com

Teodoro Tarazi (1996, IT) ha frequentato il modulo “Proposal for Schizoanalytical Seminar II: Title Forthcoming”

Daniella Domingues (1982, BR) ha frequentato il modulo “Proposal for Schizoanalytical Seminar II: Title Forthcoming” (borsa di studio illycaffé/UNIDEE)
http://cargocollective.com/danielladomingues

Murari Jha (1988, IND) ha frequentato il modulo “Proposal for Schizoanalytical Seminar II: Title Forthcoming” (borsa di studio dell’Inlaks Shivdasani Foundation)

Paola Bommarito (1985, IT) ha frequentato il modulo “LudoCity. Designing a site specific game”
www.roots-routes.org

Nicholas Ferrara (1984, IT) ha frequentato il modulo “LudoCity. Designing a site specific game”
http://inkerwarehouse.blogspot.com

Nicolò Molinari (1995, IT) ha frequentato il modulo “LudoCity. Designing a site specific game”
www.facebook.com/giornatadellarte.biella

Sara Gallotto (1987,IT) ha frequentato il modulo “LudoCity. Designing a site specific game”
http://qasba-project.blogspot.it

Melania Fusco (1987, IT) ha frequentato il modulo “LudoCity. Designing a site specific game”

Annalisa Zegna (1990, IT) ha frequentato il modulo “LudoCity. Designing a site specific game”
www.annalisazegna.com

Saverio Bonato (1991, IT) ha frequentato il modulo “Touch, don't Dominate” (borsa di studio Bevilacqua La Masa,Venezia)
www.saveriobonato.com

Laura Santini (1993, IT) ha frequentato il modulo “Touch, don't Dominate” (borsa di studio dello IUAV, Venezia)

Magda Chiarelli (1974, IT) ha frequentato il modulo “Touch, don't Dominate” (borsa di studio dell’Accademia di Belle Arti di Brera, Milano)
www.magdarteclaudio.com

Fikrete Topalli (1983, Kosovo) ha frequentato il modulo “Touch, don't Dominate” (borsa di studio dell’Accademia di Belle Arti di Brera, Milano)

Murari Jha (1988, IND) ha frequentato il modulo “Touch, don't Dominate” (borsa di studio Inlaks Shivdasani Foundation)

Miguel González Cabezas (1992, A/E) ha frequentato il modulo “Touch, don't Dominate”
www.miguelgonzalezcabezas.com

Michelle Claase (1989, ZA/HK) ha frequentato il modulo “Touch, don't Dominate” (borsa di studio illycaffé/UNIDEE)
www.michelleclaase.com

Marie-Andrée Godin (1986, CDN/SF) ha frequentato il modulo “Expanded Body. An immersive exploration of the Oasi Zegna” (borsa di studio Zegna/UNIDEE)

Fernanda Rappa (1978, BR) ha frequentato il modulo “Expanded Body. An immersive exploration of the Oasi Zegna” (borsa di studio Zegna/UNIDEE)
http://cargocollective.com/fernandarappa

Serena Porrati (1981, IT) ha frequentato il modulo “Expanded Body. An immersive exploration of the Oasi Zegna” (borsa di studio Zegna/UNIDEE)
serenaporrati.com

Giulia Filippi (1982, IT) ha frequentato il modulo “Expanded Body. An immersive exploration of the Oasi Zegna” (borsa di studio Zegna/UNIDEE)
http://lumensanakirja.blogspot.it

Alessandro Perini (1983, IT) ha frequentato il modulo “Expanded Body. An immersive exploration of the Oasi Zegna” (borsa di studio Zegna/UNIDEE)
https://alessandroperini.com

Philip Cartelli (1984, US) ha frequentato il modulo “Expanded Body. An immersive exploration of the Oasi Zegna” (borsa di studio Zegna/UNIDEE)
http://pcartelli.com

Micol Roubini (1982, IT) ha frequentato il modulo “Expanded Body. An immersive exploration of the Oasi Zegna” (borsa di studio Zegna/UNIDEE)
https://casaliroubini.wordpress.com

Lorenzo Casali (1980, IT) ha frequentato il modulo “Expanded Body. An immersive exploration of the Oasi Zegna” (borsa di studio Zegna/UNIDEE)
https://casaliroubini.wordpress.com

Stefan Milosavljevic (1992, SRB/IT) ha frequentato il modulo “The revolution of the gaze. Inside the visible, to grasp the invisible” (borsa di studio Bevilacqua La Masa,Venezia)
cargocollective.com/stefanmilosavljevic

Anna Massimo (1995, IT) ha frequentato il modulo “The revolution of the gaze. Inside the visible, to grasp the invisible” (borsa di studio ISIA, Faenza)

Anne Loyse Jaques (1982, CH) ha frequentato il modulo “The revolution of the gaze. Inside the visible, to grasp the invisible” (borsa di studio ECAV - Ecole Cantonale d'Art du Valais, Sierre)

Giacomo Pederiva (1993, IT) ha frequentato il modulo “The revolution of the gaze. Inside the visible, to grasp the invisible” (borsa di studio IUAV, Venezia) 

Lisa Andreani (1993, IT) ha frequentato il modulo “The revolution of the gaze. Inside the visible, to grasp the invisible” (borsa di studio IUAV, Venezia)

Roberto Nino Betancourt (1987, CO/IT) ha frequentato il modulo “The revolution of the gaze. Inside the visible, to grasp the invisible” (borsa di studio illycaffé/UNIDEE)
robertoninob.tumblr.com

Zlatolin Ventsislavov Donchev (1990, RC/IT) ha frequentato il modulo “The revolution of the gaze. Inside the visible, to grasp the invisible”
http://zlatolin.tumblr.com
www.antomilotta.altervista.org

Manolo Liuzzi (1995, IT) ha frequentato il modulo “The dance of attention. What happens as soon as we press record on a device” (borsa di studio ISIA, Faenza)

Sula Chiovenda (1995, IT) ha frequentato il modulo “The dance of attention. What happens as soon as we press record on a device” (borsa di studio ISIA, Faenza)

Ariane Teodoris (1984, CH) ha frequentato il modulo “The dance of attention. What happens as soon as we press record on a device” (borsa di studio ECAV - Ecole Cantonale d'Art du Valais, Sierre)

Natalia Ludmila (1979, MEX) ha frequentato il modulo “The dance of attention. What happens as soon as we press record on a device”
http://natalialudmila.net

Alessandra Carosi (1984, IT) ha frequentato il modulo “The dance of attention. What happens as soon as we press record on a device” (borsa di studio illycaffé/UNIDEE)
www.alessandracarosi.com

Caterina Giansiracusa (1989, IT) ha frequentato il modulo “The dance of attention. What happens as soon as we press record on a device”
www.facebook.com/deviAzioniproject


PRIMO TRIMESTRE 2016:

Vanessa Alessi (1979, IT) ha frequentato il modulo "Designing while Walking, Walking while Designing" (borsa di studio Zegna/UNIDEE)
http://alessivanessa.tumblr.com

Lydia Ang (1988, SG) ha frequentato il modulo "Sound, Space, Body" (borsa di studio Illycaffè/UNIDEE)
https://soundcloud.com/lydia-ang

Seitaku Aoyama (1973, JP / US) ha frequentato il modulo "Girotondo"
www.taksanart.com

Milagros Arias (1984, PE) ha frequentato il modulo "Designing while Walking, Walking while Designing" (borsa di studio Zegna/UNIDEE)
https://milagrosariasecada.carbonmade.com

Alaa Abu Asad (1989, PS) ha frequentato il modulo "The Shifting Place. Aesthetic, spatial and temporal fractures of transitional territories" - un progetto co-finanziato dal Creative Europe Programme della EU
http://aboasadalaa.wixsite.com/this-makes-no-sense

Abigail Auld (1988, CA) ha frequentato il modulo "Mineral Rights. Site Exploration: Biella Guide Tours"
www.abigailauld.com

Claudio Beorchia (1979, IT) ha frequentato il modulo "Designing while Walking, Walking while Designing" (borsa di studio Zegna/UNIDEE)
www.claudiobeorchia.it

Mathieu Brethes (1982, FR) ha frequentato il modulo “Unmaking: Subverting The Every-Day” (borsa di studio dell'École supérieure d'art et design - ESAD, Grenoble)
www.sotramem.fr

Nicolò Cervello (1993, IT) ha frequentato il modulo "Sound, Space, Body" (borsa di studio dell'Accademia di Belle Arti di Brera)

Tom Collison (1991, UK) ha frequentato il modulo "Designing while Walking, Walking while Designing" (borsa di studio Zegna/UNIDEE)
http://cargocollective.com/tomcollisondesign

Emer Costello (1979, UK) ha frequentato il modulo "Sound, Space, Body"
www.emercostello.me

Sílvia Cruells (1986, ES) ha frequentato il modulo "The Shifting Place. Aesthetic, spatial and temporal fractures of transitional territories" - un progetto co-finanziato dal Creative Europe Programme della EU
www.lafloristeria.eu

Cinzia Delnevo (1982, IT / UK) ha frequentato il modulo “(Over)worked Bodies, Care and Maintenance”
www.cinziadelnevo.com

Christophe Dos Santos (1992, FR) ha frequentato il modulo “(Over)worked Bodies, Care and Maintenance” (borsa di studio dell'École supérieure d'art et design - ESAD, Grenoble)

Rebecca Dunne (1990, IR) ha frequentato il modulo "Sound, Space, Body"
www.rebeccadunne.tumblr.com

Sophia Edlund (1990, SE) ha frequentato il modulo "Sound, Space, Body"

Stephano Espinoza (1992, EC / US) ha frequentato il modulo “(Over)worked Bodies, Care and Maintenance” (borsa di studio Illycaffé/UNIDEE) 
http://cargocollective.com/stephanoeg

Nicholas Ferrara (1984, IT) ha frequentato i moduli “Unmaking: Subverting The Every-Day” e "Sound, Space, Body"
http://inkerwarehouse.blogspot.it

Andrew Friend (1985, UK) ha frequentato il modulo "The Shifting Place. Aesthetic, spatial and temporal fractures of transitional territories" - un progetto co-finanziato dal Creative Europe Programme della EU
www.andrewfriend.co.uk

Emma Gibson (1983, AU) ha frequentato il modulo "The Shifting Place. Aesthetic, spatial and temporal fractures of transitional territories" - un progetto co-finanziato dal Creative Europe Programme della EU
https://emmajgibson.com/

Fionnuala Heidenreich (1979, AU / UK) ha frequentato il modulo “(Over)worked Bodies, Care and Maintenance”
www.f-heidenreich.net

Mary Hogan (1993, US) ha frequentato il modulo "Girotondo" (borsa di studio Illycaffé/UNIDEE)
http://newproxemix.odie.us

Hisae Ikenaga (1977, MX) ha frequentato il modulo "Designing while Walking, Walking while Designing" (borsa di studio Zegna/UNIDEE e Pollock-Krasner Foundation) 
http://www.hisaeikenaga.com

Eleni Kamma (1973, GR / CY) ha frequentato il modulo "The Shifting Place. Aesthetic, spatial and temporal fractures of transitional territories" - un progetto co-finanziato dal Creative Europe Programme della EU
www.elenikamma.com

Fenia Kotsopoulou (1981, GR / UK) ha frequentato il modulo "Designing while Walking, Walking while Designing" (borsa di studio Zegna/UNIDEE)
http://feniakotsopoulou.wixsite.com/artist

Katherine Lee (1976, AUS) ha frequentato il modulo "Sound, Space, Body"
http://katielee.com.au

Wayne Lim (1989, SG) ha frequentato il modulo "The Shifting Place. Aesthetic, spatial and temporal fractures of transitional territories" - un progetto co-finanziato dal Creative Europe Programme della EU
http://cargocollective.com/waynelim

Elena Mazzi (1984, IT) ha frequentato il modulo "Mineral Rights. Site Exploration: Biella Guide Tours" (borsa di studio Illycaffé/UNIDEE)
www.elenamazzi.com

Victoria McKenzie (1993, JM/CA) ha frequentato il modulo "Sound, Space, Body"
http://victoriamckenzie.ca

Valeria Nekhaeva (1985, RU) ha frequentato il modulo "Designing while Walking, Walking while Designing" (borsa di studio Zegna/UNIDEE)
http://nekhaevv.tumblr.com

Marie Neumann (1991, DE) ha frequentato il modulo “(Over)worked Bodies, Care and Maintenance” (borsa di studio dell'Accademia di Belle Arti di Roma)

Phumulani Ntuli (1986, ZA/CH) ha frequentato il modulo "Sound, Space, Body" (borsa di studio École supérieure d'art et design - ESAD, Grenoble)

Patrick Ostrowsky (1991, DE) ha frequentato il modulo "Mineral Rights. Site Exploration: Biella Guide Tours" (borsa di studio dell'Accademia di Belle Arti di Roma)
http://postrowsky.wixsite.com/patrickostrowsky

Teresa Palmieri (1989, IT) ha frequentato il modulo "The Shifting Place. Aesthetic, spatial and temporal fractures of transitional territories" - un progetto co-finanziato dal Creative Europe Programme della EU
http://teresapalmieri.com

Anna Elena Paraboschi (1993, IT) ha frequentato il modulo "Mineral Rights. Site Exploration: Biella Guide Tours"

Marlon Portales (1991, CU) ha frequentato il modulo “Unmaking: Subverting The Every-Day” (borsa di studio Illycaffé/UNIDEE)

Jennifer Poueymirou (1972, US) ha frequentato il modulo "Mineral Rights. Site Exploration: Biella Guide Tours"
www.jenpoueymirou.com

Elja Ranta (1980, FI) ha frequentato il modulo "The Shifting Place. Aesthetic, spatial and temporal fractures of transitional territories" - un progetto co-finanziato dal Creative Europe Programme della EU
www.eijaranta.com

Juan Recaman (1973, CO/US) ha frequentato il modulo "Sound, Space, Body"
http://juanrecaman.com

Jihyun Ryou (1980, KR / IT) ha frequentato il modulo "Designing while Walking, Walking while Designing" (borsa di studio Zegna/UNIDEE)
www.savefoodfromthefridge.com

Alessandro Scotti (1971, IT) ha frequentato il modulo "Sound, Space, Body"
www.alessandroscotti.com

Chiara Sgaramella (1982, IT) ha frequentato il modulo "The Shifting Place. Aesthetic, spatial and temporal fractures of transitional territories" - un progetto co-finanziato dal Creative Europe Programme della EU
http://cargocollective.com/chiarasgaramella

Moonis Shah (1992, IN) ha frequentato il modulo "The Shifting Place. Aesthetic, spatial and temporal fractures of transitional territories" - un progetto co-finanziato dal Creative Europe Programme della EU

Yana Shushkova (1994, IT / BG) ha frequentato il modulo "Designing while Walking, Walking while Designing" (borsa di studio dell'Accademia di Belle Arti di Brera)

Sarasija Subramanian (1992, IN) ha frequentato i moduli "Mineral Rights. S ite Exploration: Biella Guide Tours" e "Girotondo" (borsa di studio Inlaks Shivdasani Foundation/UNIDEE)

Maria Vastola (1984, IT) ha frequentato il modulo "Sound, Space, Body"
www.vixmagazine.it/maria-vastola

Lorelinde Verhees (1983, NL) ha frequentato il modulo "Girotondo"
www.lorelindeverhees.nl

Benjamin Volta (1979, US) ha frequentato il modulo "Girotondo"
www.benvolta.com

Luz Nadina Zapata (1993, CO) ha frequentato il modulo “Unmaking: Subverting The Every-Day” (borsa di studio della Fundaciòn Universitaria Bellas Artes di Medellìn)


SECONDO TRIMESTRE 2016:

Vanessa Alessi (1979, IT) ha frequentato il modulo “The Encounter. Reclaiming the potentiality of affection”
http://alessivanessa.tumblr.com/

Giampaolo Algieri (1990,IT) ha frequentato il modulo “Personal Imaginary Museum” (borsa di studio dell'Accademia di Belle Arti di Brera)

Miguel Amado (1973, PT / US) ha frequentato il modulo “Elapsing Time in Expanded Artwork. Practices of the unconscious through means of activism”
www.visitmima.com

Valeriana Bercicchi (1987, IT) ha frequentato il modulo “Personal Imaginary Museum” (borsa di studio dell'Accademia di Belle Arti di Brera)

Patrizia Bonardi (1969, IT) ha frequentato il modulo “The Encounter. Reclaiming the potentiality of affection”
www.patriziabonardi.net

Anna Borghi (1980, IT) ha frequentato il modulo “The Encounter. Reclaiming the potentiality of affection”
www.annaborghi.com

Eva Bullens (1987, NL) ha frequentato il modulo “Carving out the spaces for our commoned life: a training ground”
www.evabullens.org
www.unusualbusiness.nl

Noemi Cassani (1993, IT) ha frequentato il modulo "Practicing the Object. Give me an (art)object so I can find my position and continue to move” (borsa di studio ISIA-Faenza)

Lorie Caval (1972, US) ha frequentato il modulo “Elapsing Time in Expanded Artwork. Practices of the unconscious through means of activism”
www.loriecaval.com

Aurora Chiriaco (1994, IT) ha frequentato il modulo “Practicing the Object. Give me an (art)object so I can find my position and continue to move”

Marta Colpani (1986, IT / NL) ha frequentato il modulo “The Encounter. Reclaiming the potentiality of affection”
www.martacolpani.com

Daniel Dallabrida (1956, US) ha frequentato il modulo “Practicing the Object. Give me an (art)object so I can find my position and continue to move”
www.dallabrida.com

Angelo Di Bello (1976, IT) ha frequentato il modulo “Personal Imaginary Museum” (borsa di studio dell'Accademia di Belle Arti di Roma)

Alicia Dupont Lievens (1993, FR) ha frequentato il modulo “The Encounter. Reclaiming the potentiality of affection”
https://aliciadlblog.wordpress.com

Kirsten Farrell (1971, AU) ha frequentato i moduli “Practicing the Object. Give me an (art)object so I can find my position and continue to move” e "“The Encounter. Reclaiming the potentiality of affection” (borsa di studio RESO' project)
www.kirsten-farrell.com

Bib Frrokaj (1992, AL) ha frequentato il modulo “The Encounter. Reclaiming the potentiality of affection” (borsa di studio del Ministero della Cultura della Repubblica d'Albania)

Jumana Ghouth (1987, SA) ha frequentato il modulo “Elapsing Time in Expanded Artwork. Practices of the unconscious through means of activism”

Tara Gilbee (1970, AU) ha frequentato il modulo “Carving out the spaces for our commoned life: a training ground”
www.taragilbee.com

Lek M. Gjeloshi (1987, AL) ha frequentato il modulo “The Encounter. Reclaiming the potentiality of affection” (borsa di studio del Ministero della Cultura della Repubblica d'Albania)

Chihiro Gompei (1985, JP / UK) ha frequentato il modulo “Practicing the Object. Give me an (art)object so I can find my position and continue to move”
www.chihirogompei.com

Chanel Hackett (1991, US) ha frequentato il modulo “Practicing the Object. Give me an (art)object so I can find my position and continue to move” (borsa di studio SACI International Florence)

Marie-Nour Hechaime (1989, LB) attended the module “Carving out the spaces for our commoned life: a training ground”

Franziska Hederer (1972, AT) ha frequentato il modulo “Personal Imaginary Museum"
http://kunstlabor-graz.at

Lore Hindiger (1956, AT) ha frequentato il modulo “Personal Imaginary Museum"
http://kunstlabor-graz.at

Matteo Impedovo (1993, IT) ha frequentato il modulo “Which language will I speak to you? Collective voice after the end of protest"

Alison Levy (1979, US) ha frequentato il modulo “Which language will I speak to you? Collective voice after the end of protest"
www.starryblessings.com

Giulia Marra (1983, IT) ha frequentato il modulo “Carving out the spaces for our commoned life: a training ground”

Giulia Meloni (1990, IT) ha frequentato il modulo “Practicing the Object. Give me an (art)object so I can find my position and continue to move"

April Moon (1986, KR) ha frequentato il modulo “Practicing the Object. Give me an (art)object so I can find my position and continue to move" (borsa di studio SACI International Florence)

Andria Nicolaou (1992, CY) ha frequentato il modulo “Personal Imaginary Museum"

G. Olmo Stuppia (1991, IT) ha frequentato il modulo “Elapsing Time in Expanded Artwork. Practices of the unconscious through means of activism”
www.bevilacqualamasa.it/gaetano-olmo-stuppia

Alessandra Prandin (1985, IT) ha frequentato il modulo “Carving out the spaces for our commoned life: a training ground”
www.collectif-aboutblank.com/lecollectif.html

Nuvola Ravera (1984, IT) ha frequentato il modulo “Elapsing Time in Expanded Artwork. Practices of the unconscious through means of activism”
www.bevilacqualamasa.it/nuvola-ravera

Jacopo Rinaldi (1988, IT) ha frequentato il modulo “Which language will I speak to you? Collective voice after the end of protest"
http://cargocollective.com/jacoporinaldi

Enza Rripaj (1995, AL) ha frequentato il modulo “The Encounter. Reclaiming the potentiality of affection”

Sandra Schüddekopf (1973, AT) ha frequentato il modulo “Personal Imaginary Museum"
http://kunstlabor-graz.at

Fabienne Trotte (1971, FR) ha frequentato il modulo “Carving out the spaces for our commoned life: a training ground”
http://cargocollective.com/devenirpaysage

Raneem Turjman (1987, US / PS) ha frequentato i moduli “Which language will I speak to you? Collective voice after the end of protest” e “Practicing the Object. Give me an (art)object so I can find my position and continue to move” (borsa di studio A.M. Qattan Foundation/UNIDEE)
www.behance.net/raneemturjman

Dennis van Gaalen (1986, NL) ha frequentato il modulo “Carving out the spaces for our commoned life: a training ground”
www.studioinherent.com
www.unusualbusiness.nl

Paul Wiebinski (1983, DE) ha frequentato il modulo “Personal Imaginary Museum”
http://kunstlabor-graz.at

Francesco Zanatta (1989, IT) ha frequentato il modulo “Practicing the Object. Give me an (art)object so I can find my position and continue to move”
www.bevilacqualamasa.it/francesco-zanatta

Annalisa Zegna (1990, IT) ha frequentato il modulo “Elapsing Time in Expanded Artwork. Practices of the unconscious through means of activism”

Edith Zeier-Draxl (1957, AT) ha frequentato il modulo “Personal Imaginary Museum”
http://kunstlabor-graz.at


PRIMO TRIMESTRE 2015:

Nour Abd Elrahman Abu Arafeh (1986, PS / CH) ha frequentato il modulo “The artistic production of the common between territorialization and (re)localisation”

Anna Andrich (1985, DE / BE) ha frequentato il modulo “Changing nothing so that everything is different”

AVES project (Matteo Gatti (1989, IT) & Demetrio Giacomelli (1986, IT)) hanno frequentato il modulo “Ubiquitous Infoscapes”

Valentina Bonizzi (1982, IT / UK) ha frequentato il modulo “The artistic production of the common between territorialization and (re)localisation”

Victor Brustet (1991, FR) ha frequentato il modulo “Ubiquitous Infoscapes”

Adelaide Cioni (1976, IT) ha frequentato il modulo “Performing Anthropology”
www.adelaidecioni.com

Milica Ćirović (1984, RS / IT ) ha frequentato il modulo “The Artist as Entrepreneur: relationships between artists, society, markets and world economy”

Giulia Crisci (1989, IT) ha frequentato il modulo “Curating as a form of assembly”

Aleksandra Anna Czuba (1976, IT) ha frequentato il modulo “Performing Anthropology”

Jessica Esther Decorvet (1989, CH) ha frequentato il modulo “Group Matters”

Ekarasa Mara Doblanovic (1978, HR / IT / NZ) ha frequentato il modulo “Group Matters”
www.imaginetheland.com
www.ekarasa.com

Marta Ferretti (1976, IT) ha frequentato il modulo “Performing Anthropology”

Olivia Garro (1991, IT) ha frequentato il modulo “Performing Anthropology”

Ilaria Genovesio (1992, IT) ha frequentato il modulo “Curating as a form of assembly”

Genevieve Goffman (1991, USA) ha frequentato il modulo “Ubiquitous Infoscapes”

Mohamed Zacharia Hamideche (1990, DZ / FR) ha frequentato il modulo “Changing nothing so that everything is different”

Lucia Mammana (1989, IT) ha frequentato il modulo “Performing Anthropology”

Anne Marchal (1990, FR) ha frequentato il modulo “Ubiquitous Infoscapes”
http://annemarchal.tumblr.com/
https://vimeo.com/user38593370

Thomas Fabien Martin (1986, FR) ha frequentato il modulo “The artistic production of the common between territorialization and (re)localisation”

Julie Martin-Cabétich (1982, FR) ha frequentato il modulo “Group Matters”

Gemma Rosa Medina Estupiñán (1975, ES / NL) ha frequentato il modulo “Curating as a form of assembly”
http://www.arte-util.org
http://museumarteutil.net

Alexia Mellor (1975, UK) ha frequentato il modulo “The artistic production of the common between territorialization and (re)localisation”
http://alexiamellor.com

Alma Oneida Sauret (1993, FR) ha frequentato il modulo “Patterns and Music”
https://soundcloud.com/alma-sauret-small

Marianna Orlotti (1988, IT) ha frequentato il modulo “The artistic production of the common between territorialization and (re)localisation”

Parasite 2.0 (Stefano Colombo (1989, IT) & Eugenio Cosentino (1989, IT)) hanno frequentato il modulo “Changing nothing so that everything is different”
http://parasitelab.tumblr.com/

Anna Teresa Pfeiffer (1987, PL / IT) ha frequentato il modulo “The Artist as Entrepreneur: relationships between artists, society, markets and world economy”

Sofya Postnikova (1993, RU / NL) ha frequentato il modulo “Curating as a form of assembly”

Giorgia Zoe Righini (1987, IT) ha frequentato il modulo “Patterns and Music”

Karim Rochdi (1989, MA /IT) ha frequentato il modulo “The Artist as Entrepreneur: relationships between artists, society, markets and world economy”

Giulia Roncucci (1982, IT) ha frequentato il modulo “The Artist as Entrepreneur: relationships between artists, society, markets and world economy”

Ewa Rossal (1979, PL) ha frequentato il modulo “Performing Anthropology”

Aela Yanina Royer (1992, FR) ha frequentato il modulo “Patterns and Music”

Irene Ruiz Bazán (1983, ES / IT) ha frequentato il modulo “The Artist as Entrepreneur: relationships between artists, society, markets and world economy”

Peter Philippe Schreuder (1982, CH) ha frequentato il modulo “Changing nothing so that everything is different”
http://peterschreuder.tumblr.com/
https://twitter.com/peter_schreuder

Maria Slavnova (1983, RU / USA / AZ) ha frequentato il modulo “Changing nothing so that everything is different”
http://issuu.com/mosurbanforum/docs/archaeology_of_the_periphery
http://rebargroup.org/
http://www.strelka.com/en/research/studio/retail

Edgar Tom Owino Stockton (1992. UK / CH / FR) ha frequentato il modulo “Curating as a form of assembly”

Chiara Tirloni (1969, IT) ha frequentato il modulo “Group Matters”

Fabienne Trotte (1971, FR) ha frequentato il modulo “The artistic production of the common between territorialization and (re)localisation”
http://cargocollective.com/devenirpaysage

Allard van Hoorn (1968, NL) ha frequentato il modulo “Changing nothing so that everything is different”
http://www.allardvanhoorn.com/biography_020.asp
http://www.allardvanhoorn.com/biography_024.asp
http://www.allardvanhoorn.com/biography_028.asp

Linda Vigiani (1986, IT) ha frequentato il modulo “Curating as a form of assembly”

Eszter Wolf (1973, HU) ha frequentato il modulo “Group Matters”
http://eszterwolf.com/cv_wolf_2015_eng_new.pdf 
http://eszterwolf.com/portfolio_wolf_2015_eng_new.pdf

Annalisa Zegna (1990, IT) ha frequentato il modulo “Curating as a form of assembly”


SECONDO TRIMESTRE 2015:

Andrea Alauria (1991, IT) ha frequentato il modulo "Performative situations in public space: The research and action group"

Mariangela Aponte (1983, CO) ha frequentato il modulo "Matter as experience" e "Recipe for stone soup: How to let time cook us all. Procedures for conversational practice in contemporary art"

Anita Bacic (1967, AU) ha frequentato il modulo “Terrain Vague”
www.anitabacic.com
www.rediscoveringspringfield.com
https://vimeo.com/80697238

Ágnes Básthy (1986, HU) ha frequentato il modulo "Creating Territorialities"
http://agnesbasthy.wixsite.com/photo

Roberta Bernasconi (1985, IT) ha frequentato il modulo "Recipe for stone soup: How to let time cook us all. Procedures for conversational practice in contemporary art"

Juhikadevi Bhanjdeo (1986, IN) ha frequentato il modulo “Terrain Vague” e "Matter as experience"

Johanna Bratel (1985, SE) ha frequentato il modulo "Creating Territorialities"

Anna Bromley (1971, DE) ha frequentato il modulo "Creating Territorialities"

Jeanette Castioni (1968, IT/IS) ha frequentato il modulo "Where imagination slips into reality"
www.jeannette.is

Dandara Catete (1992, BR) ha frequentato il modulo “Matter as experience”
http://dandaracatete.wix.com/arte

Queenie Clarke (1991, UK) ha frequentato il modulo “Terrain Vague”
www.queenieclarke.com

Marta Colpani (1986, IT/NL) ha frequentato il modulo “Terrain Vague”, "Where imagination slips into reality" e "Matter as experience"
www.martacolpani.com/

 Sergey Kantsedal (1989, UA/IT) ha frequentato il modulo "Recipe for stone soup: How to let time cook us all. Procedures for conversational practice in contemporary art"

Mariapia Colzani
(1992, IT) ha frequentato il modulo “Terrain Vague”
http://issuu.com/mariapiacolzani/docs/portfolio_11-15_divise

Marta Duzzi (1990, IT) ha frequentato il modulo “Diritto e creazione d'artista”

Nathalie Esther Eldan (1981, IL) ha frequentato il modulo “Terrain Vague”
www.nathalieeldanarchitecture.com

Simone Frangi (1982, IT) ha frequentato il modulo "Recipe for stone soup: How to let time cook us all. Procedures for conversational practice in contemporary art"
www.viafarini.org

Valentina Furian (1989, IT) ha frequentato il modulo “Matter as experience”
http://issuu.com/valentinafurian/docs/furian_portfolio_12i2015

Katia Greco (1977, IT) ha frequentato il modulo "Where imagination slips into reality", "Performative situations in public space: The research and action group" e "Recipe for stone soup: How to let time cook us all. Procedures for conversational practice in contemporary art"
https://katiadgreco.carbonmade.com

Miles Greenberg (1997, CA) ha frequentato il modulo "Performative situations in public space: The research and action group"
http://www.milesgreenberg.com

Bahar Habibi (1990, IR/CA) ha frequentato il modulo "Creating Territorialities"
http://cargocollective.com/wwwbaharhabibicom

Diva Helmy (1993, US) ha frequentato il modulo "Creating Territorialities"
www.divahelmy.com

Lorenza Ippolito (1979, UK) ha frequentato il modulo "Creating Territorialities"
www.lorenzaippolito.co.uk

Mako Ishizuka (1974, JP/SE) ha frequentato il modulo "Where imagination slips into reality"
http://www.makois.com/

Pablo Jansana (1976, CL/US) ha frequentato il modulo “Photocopy tales: Publications and visual essays”
www.pablojansana.com

Astrid Kaemmerling (1983, DE) ha frequentato il modulo “Terrain Vague”
https://astridkaemmerling.com/

Aya Kirresh (1989, PS) ha frequentato il modulo “Terrain Vague”, "Why do I do what I do?" e "Where imagination slips into reality"

Lia Krucken (1973, BR/DE) ha frequentato il modulo "Creating Territorialities"
https://liakrucken.de

Lila Lee (1980, KR) ha frequentato il modulo "Why do I do what I do?"
www.leehyijung.com

Clara Madaro (1989, IT) ha frequentato il modulo "Why do I do what I do?"
https://independent.academia.edu/ClaraMadaro

Luciana Maia Dos Santos (1986, BR) ha frequentato il modulo “Terrain Vague”
www.lumaia.com

Abigale Neate-Wilson (1990, UK) ha frequentato il modulo "Where imagination slips into reality"
http://www.abigaleneatewilson.com

Pietro Nocita (1980, IT) ha frequentato il modulo “Diritto e creazione d'artista”

One in the Loop (1980, IT) ha frequentato il modulo "Performative situations in public space: The research and action group"
http://10oneintheloop.blogspot.it/

Ji Hyun Park (1980, KR/DE) ha frequentato il modulo "Creating Territorialities"
http://jihyunpark.org/

Alessandro Perini (1983, IT/SE) ha frequentato il modulo "Creating Territorialities"
www.alessandroperini.com/Alessandro_Perini/Home.html
https://touchmysound.wordpress.com/

James Phillips (1981, CA) ha frequentato il modulo "Performative situations in public space: The research and action group"

Anna Pirri (1991, IT) ha frequentato il modulo “Diritto e creazione d'artista”

Ricardo Portilho (1970, BR) ha frequentato il modulo “Photocopy tales: Publications and visual essays”

Sofya Postnikova (1993, RU) ha frequentato il modulo “Photocopy tales: Publications and visual essays”

Alessandra Ricci Ascoli (1969, IT) ha frequentato il modulo “Diritto e creazione d'artista”

Katia Schneller (1979, FR) ha frequentato il modulo "Recipe for stone soup: How to let time cook us all. Procedures for conversational practice in contemporary art"

Miriam Secco (1981, IT) ha frequentato il modulo "Performative situations in public space: The research and action group"
www.miriamsecco.com

Vittoria Soddu (1986, IT/BE) ha frequentato il modulo "Creating Territorialities"

Roxane Spang (1992, CO/IT) ha frequentato il modulo “Matter as experience”

Vitalij Strigunkov (1990, LT) ha frequentato il modulo "Recipe for stone soup: How to let time cook us all. Procedures for conversational practice in contemporary art"
https://sites.google.com/site/strigunkovart/home

Muhammad Taymour (1985, EG) ha frequentato il modulo “Terrain Vague” e "Why do I do what I do?"

Fabienne Trotte (1971, FR) ha frequentato il modulo “Matter as experience”
http://cargocollective.com/devenirpaysage

Laurent Vernet (1982, CA) ha frequentato il modulo "Performative situations in public space: The research and action group"
http://www.laurent-vernet.com/about

Asia Valencic (1991, IT) ha frequentato il modulo “Terrain Vague”
http://issuu.com/asiavalencic/docs/public_outdoor_design
http://cargocollective.com/asiavalencic

Valerio Veneruso (1984, IT) ha frequentato il modulo “Photocopy tales: Publications and visual essays”
https://dadavs.wordpress.com/

Filippo Vinci (1990, IT/BR) ha frequentato il modulo "Performative situations in public space: The research and action group" e "Recipe for stone soup: How to let time cook us all. Procedures for conversational practice in contemporary art"