STAFF


Education Office

UNIDEE - University of Ideas at Cittadellarte
Director: Juan Esteban Sandoval
under the supervision of Paolo Naldini
Programme Coordinator: Clara Tosetti



 

Juan Esteban Sandoval (1972), Head of projects and Director of the Art Office of Cittadellarte.

Artist, he has exhibited internationally since 1994. He is the cofounder of “el puente_lab” art collective in Medellín, a platform for artistic and cultural production, which uses contemporary art as a tool for the social trasformation.

Since 2002 he has been the director of the Art Office of Cittadellarte, coordinating the realization of 13 editions of “Arte al Centro” exhibitions within the Foundation’s premises and a number of exhibitions in other locations, such the MuKHA in Antwerp, San Servolo Island for the 50th Venice Biennial, The Galleria Civica of Modena, MAXXI Museum in Rome, among others.

He co-curated the exhibition “Cittadellarte.sharing transformation” at Kunsthaus in Graz, the first two editions of the seminar “Methods-research project on art-society relation” and two workshops of shared interdisciplinary planning in Venice and in Gorizia, Italy.

Juan is ex-resident UNIDEE (2000).

 



Clara Tosetti (1989), Programme Coordinator, UNIDEE - University of Ideas.

Graduate in Architecture (Polytechnic of Milan, 2014), in 2016 she obtained a Master in Economics and Management of the Art and Cultural Heritage at the Business School of the Sole 24 Ore specializing in the areas of communication, organization of exhibitions and cultural events and educational programs.
During the Master she has co-curated the exhibition “Legàmi” at the Carcano Theatre in Milan that probed the different types of bonds between women.

She worked for the Studio Art&Co. in Turin collaborating in organizing the exhibition “Sigmar Polke” at Palazzo Grassi in Venice and by accompanying the contemporary art advisoring and cataloguing for prestigious private collections.

Clara has always been interested in the links between art and public space and how this might relate to the individual and collective growth to create the identity of a community that is both local and global.


 

 

Paolo Naldini is Director of Cittadellarte since 2000. In 1996 he got his degree in Economics at Turin University with a dissertation on urban derelict buildings and lands, in connection with Turin Polytechnic University of Architecture.

As a writer, apart from texts on art and its role in societal fabric, Paolo has published short fictions and founded a web project dedicated to exploring creative collaboration by meeting and writing in nomadic and interwoven patterns.
He has conceived and developed the theory and method of the Art of Demopraxy.

 


UNIDEE TEAM 2015 - 2019

 

Valerio Del Baglivo, visiting curator of 2018-2019 UNIDEE Residency program, is a freelance curator, educator and perennial collaborator based in Italy. Collaborative research, alternative education, fiction and storytelling play a continuing and vital role within the methodology and interests of Valerio Del Baglivo.

He attended Curatorlab, an independent curatorial course, at Konstfack University (2011), and is now completing a PhD Programme at Middlesex University with a research focused on public engagement and experimental pedagogy in self-initiated art institutions. He has integrated his academic training by participating in international residency programs at The Banff Centre in Banff, ICC at Gwangju Biennale in South Korea, Wysing Art Centre in Cambridge, Futura in Prague, The Luminary in Missouri and BAR Projects in Barcelona.

In the last years he has curated exhibitions and projects for organizations such as, Apexart - NY, Kunstverein – Milan,Konsthall C - Stockholm, Kunsthalle WUK- Vienna, Azkuna Zentroa - Bilbao – and Fondazione Sandretto Re Rebaudengo – Turin.

In 2017 he initiated with artist Ludovica Carbotta The Institute of Things to Come, an itinerant institute that embrace irrational, mimetic and fictional knowledge with the aim of destabilizing models of objective scientific research.

He was 2017 Curator in Residency and Shadow Curator at Grand Union, Birmingham. Since 2013 is a member of IKT – International Association of Curators of Contemporary Arts. He is currently Associate External Curator at MAXXI (Rome).

 

Cecilia Guida (1978), director and curator of 2015-2017 programme, UNIDEE - University of Ideas.

She is Doctor in Communication and New Technologies of Art (IULM, University of Milan, 2011), specializing in relations among participative art practices, new technologies and contemporary public space. She is Professor of Contemporary Art History at the Academy of Fine Arts (Bologna). She has taught at the Academy of Fine Arts (Florence, 2013-2016; L’Aquila, 2011-2014; Rome, 2004-2007), at IUAV University (Venice/Treviso, 2008-2009) and at La Sapienza University (Rome, 2004-2007).

Member of the IKT - International Association of Curators of Contemporary Art, she has curated exhibitions in museums as well as public and independent spaces in Italy and abroad (“ARTInRETI. Art practices and urban transformation in Piedmont”, Cittadellarte, 2012 and 2013; “Take Your Time”, Tank Space for Performing and Visual Arts, New York, 2009; “Fuori contesto”, public spaces in Bologna, Milan, Trento/Rovereto/Bozen, 2008; “Menu”, Spaziorazmataz Prato, 2007; “Aprés le diner sur l’herbe”, Villa dei Quintili, Rome, 2007 etc.).

She is author of the book Spatial Practices. Funzione pubblica e politica dell’arte nella società delle reti published by Franco Angeli in 2012. She is editor and translator of the Italian version of Artificial Hells. Participatory Art and the Politics of Spectatorship by Claire Bishop (Inferni Artificiali. La politica della spettatorialità nell’arte partecipativa, lucasossella editore, 2015).

Cecilia is ex-resident UNIDEE (2009).

 

Annalisa Zegna (1990), Programme Assistant, UNIDEE - University of Ideas.

She graduated in Painting at Accademia Albertina di Belle Arti in Turin and in Visual Arts at IUAV University in Venice. In her bachelor dissertation she examined the atlas of images as modus operandi in contemporary art, focusing on remediation and elaboration of knowledge through images from both paper and digital archives. Her artistic practice focuses on social and collective imaginary through site-specific projects related to the place in which she lives (Biella, Turin, Venice, Berlin), each time articulated around local issues of public space.

In 2015 she was in residence in the Atelier of Fondazione Bevilacqua La Masa in Venice, and she participated in exhibitions and competitions in the Venice area. In 2016 she spent a period of research in Cyprus, at VSMS Lab (Visual Sociology and Museum Studies Laboratory) at University of Technology in Limassol, in partnership with Artos Foundation in Nicosia, where she investigated some contemporary artistic experiences related to living systems and non-human subjectivities. 
Later, she worked as assistant curator for Art Laboratory Berlin, dealing with interdisciplinary projects between art, science and technology, with a particular attention to collective and laboratory experiments.

Annalisa is part of the association "BetterPlaces", with whom she collaborates for cultural activities in Biella, promoting horizontal and participatory practices and research processes.

 

Roberta Bernasconi (1985), Programme Coordinator 2016, UNIDEE - University of Ideas.

She holds a masters degree in Visual Arts from IUAV University in Venice.
She is working research based on art in the public space and on the approach of the spectator to it. She write her degree thesis on public art in Naples, her hometown, defining the dynamics between institutions and monuments, and participatory actions and collectivity.

She completed two semester studies abroad, at École de LaCambre in Brussels and at Bezalel Academy in Jerusalem. She works as an artist producing installations and performances and she finished her studies with a thesis titled "the Other israeli, the Other palestinian. Shooting the enemy".
Since 2010 she has been conveying her artistic practice into a multidisciplinary attitude, permitting her to develop creative methods able to turn art into something accessible to all.

In 2012 she worked in the Maybe Education and Public Programs department of dOCUMENTA(13), extending her research on the uncertainty of knowledge and on the impossibility of defining the work of art. While in Kassel she coordinated the "Readers' Circle. 100 Notes-100 Thoughts" project and the SCEPSI conferences run by Franco Berardi-Bifo.

She worked for the Musei Civici of Venice, implementing and promoting educational activities for groups of schools, adults and families. She is cultural operator, active in the Venitian Museums network and in Biennale Foundation. She accepts skepticism towards art as a form of positive stimulation and supports projects producing culture, generating knowledge and defining social actions in the collective space.

 

Giulia Crisci (1989), Assistant Director and Curator 2015-2016, UNIDEE - University of Ideas.

She studied Art History at the universities of Palermo and Turin. An independent curator based in Turin, she is interested in the relationship between art and activism within the public realm and the social sphere. Enacted practices – often in the form of collectives or assemblies – are concentrated on territorial communities, with a particular focus on the city and its tension zones, in the attempt to trigger spaces for critical thought and collective action.
She was part of the coordination team of Resò- International Network for Art Residencies and Educational Programs.

Giulia curated Valentina Miorandi’s itinerant project “Turning Tables”, consisting in the collective construction of an archive of cultural activist experiences. Since 2011, she worked as personal assistant to the artist Marzia Migliora. She collaborates with “Libera in Sicily. Associations, names and numbers against mafias” towards a creative rethinking of social antimafia.

She curated several projects within the artistic/curatorial collective Balloon, whose research lays at the boundary between critical writing, projects, web platform and independent micro-publishing. She was assistant curator for the 2014’s edition of Eco e Narciso, Turin’s public art project, and was a member of the educational department of Palermo’s Museo Riso.

 

Elisa Tosoni (1981), Programme Coordinator 2015, UNIDEE - University of Ideas.

Trained at Stockholm University (MA, Curating Art with Management and Law) and AICA Armenia (6th Summer Seminars for Art Curators), and at the University of East London (BA, Sculpture), Elisa also studied some geology. A curator of the enabler breed, whose research focuses on residential formats and temporality, she is also a professional chef and occasionally serves as a critic and a fiction/scriptwriter. 

Curator of international exhibitions and projects (Arkitekturmuseet, Botkyrka Konsthall, Galleria Alberto Peola, Elevator Gallery, public realm ...), she also worked as curatorial assistant at Iaspis, Cardi Black Box, “Manifesta 7” for “The Rest of Now/Tabula Rasa” and “Bucharest Biennale 3”. In 2013, she lived through the project one|year|of|curatorial|residencies (Nordic Artists’ Centre Dale, Kunsthaus Aussersihl/rotationatelier). 

Keynote speaker and panelist at “Alter Edge/ Reflections on peripheral dynamics” (nkd, 2013), she also presented the paper Transnational artistic events: on temporality and its repercussions on the local context, at Mekhitar Sebastatsi Art School in 2011. She led discussions on artists' projects and exhibitions at Counter Space, Mesopotamia, Elevator Gallery.

Elisa is currently working on a new column focusing on process-based studio visits, for the web magazine “Fisk Frisk”. Her writings and interviews appeared on “Arte e Critica” and undo.net.

ALUMNI 2015 - 2019


FALL TERM 2019:

Agil Abdullayev (1992, AZ) attended the MODES OF INSTITUTING programme mentored by Janna Graham and Valeria Graziano, Bik Van Der Pol, Annette Krauss and Yolande van der Heide, Kobe Matthys and Stefan Nowotny (granted from Yarat Contemporary Art Space)
https://www.agilabdullayev.com/

Orestis Athanasopoulos (1990, GR/FR) attended the module “Climavore: losing culture” (illycaffè grant)
https://vimeo.com/orestesathanasopoulos

Julie Comfort (1979, US/D) attended the module “Climavore: losing culture” (illycaffè grant)
www.juliecomfort.com

Gaia Di Lorenzo (1991, IT) attended the MODES OF INSTITUTING programme mentored by Janna Graham and Valeria Graziano, Bik Van Der Pol, Annette Krauss and Yolande van der Heide, Kobe Matthys and Stefan Nowotny.
https://castroprojects.it/en/

Nicholas Ferrara (1984, IT) attended the MODES OF INSTITUTING programme mentored by Janna Graham and Valeria Graziano, Bik Van Der Pol, Annette Krauss and Yolande van der Heide, Kobe Matthys and Stefan Nowotny.
http://inkerwarehouse.blogspot.com/

Giulia Floris (1990, IT) attended the MODES OF INSTITUTING programme mentored by Janna Graham and Valeria Graziano, Bik Van Der Pol, Annette Krauss and Yolande van der Heide, Kobe Matthys and Stefan Nowotny.
https://castroprojects.it/en/

Carlotta Sofia Grassi (1993,IT) attended the MODES OF INSTITUTING programme mentored by Janna Graham and Valeria Graziano, Bik Van Der Pol, Annette Krauss and Yolande van der Heide, Kobe Matthys and Stefan Nowotny.
http://www.ventunesimo.eu/

Annie Larkins (1991, UK) attended the module “Climavore: losing culture” (illycaffè grant) https://www.annielarkins.co.uk/ Alejandro Medina (1995, GCA / FR) attended the module “Climavore: losing culture” (illycaffè grant)
www.amedina.co

Majd Nasrallah (1993, Palestine) attended the MODES OF INSTITUTING programme mentored by Janna Graham and Valeria Graziano, Bik Van Der Pol, Annette Krauss and Yolande van der Heide, Kobe Matthys and Stefan Nowotny (granted from A.M. Qattan Foundation)

Yates Norton (1990, UK) attended the MODES OF INSTITUTING programme mentored by Janna Graham and Valeria Graziano, Bik Van Der Pol, Annette Krauss and Yolande van der Heide, Kobe Matthys and Stefan Nowotny.
http://rupert.lt/en/

Carolina Ongaro (1989, IT) attended the MODES OF INSTITUTING programme mentored by Janna Graham and Valeria Graziano, Bik Van Der Pol, Annette Krauss and Yolande van der Heide, Kobe Matthys and Stefan Nowotny.
http://jupiterwoods.com/

Federica Peyrolo (1989, IT) attended the module “Climavore: losing culture” (illycaffè grant)
http://federicapeyrolo.blogspot.it

Caterina Tioli (1996, IT/NL) attended the module “Climavore: losing culture” (illycaffè grant)
www.caterinatioli.com

Asli Uludag (1990, TR/UK) attended the module “Climavore: losing culture” (illycaffè grant)
www.asliuludag.com

Tina Zlatina (1977, BG) attended the module “Climavore: losing culture” (illycaffè grant)
https://www.tinazlatina.com/


SPRING SUMMER 2019:

Tizo All (1982, BR) attended the module “Evolutionary populations: the seeds of the world waiting to germinate”.
https://tizoall.com/

Nicolas Amaro (1983, CL) attended the module “Towards an expanded landscape”.
https://www.nicolasamaro.com/

Irene Angenica (1991, IT) attended the module “Proscenium” (granted from CAMPO-Fondazione Sandretto Re Rebaudengo).

Elena Artemenko (1988, RU) attended the module “Rituals of contemporary”, partnership Fondazione Zegna/UNIDEE).
http://artemenko.net/

Lucandrea Baraldi (1991, IT) attended the module “Rituals of contemporary”, partnership Fondazione Zegna/UNIDEE).
http://www.lucandreabaraldi.com/

Nicola Biagetti (1995, IT) attended the module “Petro-subjectivity and social ecology” (granted from Fondazione Modena Arti Visive, Modena)

Alessia Brancaccio (1999, IT) attended the module ”Self-organisation as method- the case of platform Chto Delat” (granted from Accademia di Belle Arti di Napoli).

Bianca Buccioli (1994, IT) attended the module “Proscenium” (granted from CAMPO-Fondazione Sandretto Re Rebaudengo).

Trine Bumiller (1959, US) attended the module “Towards an expanded landscape”.
http://www.trinebumiller.com/

Sara Cattin (1990, IT) attended the module “Towards an expanded landscape”.
http://saracattin.com/

Alix Cerezal Orellana (1995, FR/ES) attended the module “Petro-subjectivity and social ecology” (granted from École supérieure d'art et design - ESAD, Grenoble).
https://editionslesgrillages.noblogs.org/

Gabriella Dal Lago (1992, IT) attended the module “Proscenium” (granted from CAMPO-Fondazione Sandretto Re Rebaudengo).

Ornella De Carlo (1991, IT) attended the module ”Self-organisation as method- the case of platform Chto Delat” (granted from Scuola di Alta Formazione Fondazione di Fotografia, Modena).

Chiara de Maria (1992, IT) attended the module ”Self-organisation as method- the case of platform Chto Delat” (granted from Scuola di Alta Formazione Fondazione di Fotografia, Modena).

Gabriele Dini (1985, IT) attended the module “Towards an expanded landscape”.
http://www.gabrieledini.com/

Eva Durovec (1981, SK) attended the module ”Self-organisation as method- the case of platform Chto Delat”.

Laura Faraone (1998, IT) attended the module “Petro-subjectivity and social ecology”.
https://www.instagram.com/LauraHellsYeah/

Sara Fiorentino (1992, IT) attended the module “Proscenium” (granted from Accademia di Belle Arti di Napoli).

Alexander Gallegos Sorto (1996, SV) attended the module “Petro-subjectivity and social ecology”

Alizee Gazeau (1990, FR) attended the module “Evolutionary populations: the seeds of the world waiting to germinate”.
http://alizeegazeau.com/

Owen Griffiths (1983, GB) attended the module “Towards an expanded landscape”.
https://www.aboutreconnection.com/

Antonio Ianniello (1979, IT) attended the module “Rituals of contemporary”, partnership Fondazione Zegna/UNIDEE).

Bianca Lee Vasquez (1983, US/EC/CU) attended the module “Proscenium” e “Towards an expanded landscape”.
http://www.biancaleevasquez.com/

Myrto Leventaki (1998, GR) attended the module “Petro-subjectivity and social ecology”

Ginevra Ludovici (1992, IT) attended the module ”Self-organisation as method- the case of platform Chto Delat” (granted from CAMPO-Fondazione Sandretto Re Rebaudengo).

Danilo Mariniello (1997, IT) attended the module ”Self-organisation as method- the case of platform Chto Delat” (granted from Croce Rossa Italiana).

Vanessa Mona (1990, IT) attended the module ”Self-organisation as method- the case of platform Chto Delat” (granted from Politecnico di Milano).

Isabella Nardon (1992, IT) attended the module ”Self-organisation as method- the case of platform Chto Delat” (granted from Scuola di Alta Formazione Fondazione di Fotografia, Modena).

Amy Pekal (1993, PL/US/NL) attended the module “Rituals of contemporary”, partnership Fondazione Zegna/UNIDEE).
https://www.amypekal.com/

Jessica Piette (1992, CH/GB) attended the module “Towards an expanded landscape”.
https://jessicapiette.cargo.site/

Giulia Pozzi (1994, IT) attended the module “Proscenium”.

Julien Prost (1989, FR) attended the module “Evolutionary populations: the seeds of the world waiting to germinate”. (granted from École supérieure d'art et design - ESAD, Grenoble)

Eleonora Roaro (1989, IT) attended the module “Rituals of contemporary”, partnership Fondazione Zegna/UNIDEE).
http://www.eleonoraroaro.com/

Yuliya Say (1995, UA/IT) attended the module ”Self-organisation as method- the case of platform Chto Delat” (granted from associazione Barriera, Torino).

Vitalij Strigunkov (1990, LT/PL) attended the module “Rituals of contemporary”, partnership Fondazione Zegna/UNIDEE).
https://sites.google.com/site/strigunkovart/home

Tsamani Tovar Nino (1991, CO) attended the module ”Self-organisation as method- the case of platform Chto Delat” (granted from Accademia di Belle Arti di Brera).

Marilou Van Lierop (1957, NL) attended the module “Evolutionary populations: the seeds of the world waiting to germinate”.
http://www.marilouvanlierop.be/?page=loop&id=1

Stefano Volpato (1988, IT) attended the module ”Self-organisation as method- the case of platform Chto Delat” (granted from CAMPO-Fondazione Sandretto Re Rebaudengo).

Sandra Wazaz (1995, US/PL) attended the module “Proscenium”.
https://vimeo.com/sandrawazaz


2018:

Shayma Albess
 (1991, Palestina) attended the module “Pattern, Integrity” (granted from A.M. Qattan Foundation)

Ludwig Berger (1986, DE / CH) attended the module “Expanded Body #2 Inhabiting Time. An experience about time in the Oasi Zegna” (Fondazione Zegna/UNIDEE joint grant)
www.ludwigberger.com

Sara Cattin (1990, IT) attended the module “Pattern, Integrity” and was the mediator for “Expanded Body #2 Inhabiting Time. An experience about time in the Oasi Zegna”
http://saracattin.com

Daniela Delgado Viteri (1987, EC) attended the module “Pattern, Integrity” (granted from Fundación Museos de la Ciudad and IILA - Istituto Italo-Latino Americano)

Maria Norte Fonseca (1996, PT / FR) attended the module “Broadcasting the archive #10” (granted from École supérieure d'art et design - ESAD, Grenoble)

Leyli Gafarova (1990, AZ / NL) attended the module “Pattern, Integrity” (granted fromYarat Contemporary Art Space)

Laura Harrington (1980, UK) attended the module “Expanded Body #2 Inhabiting Time. An experience about time in the Oasi Zegna” (Fondazione Zegna/UNIDEE joint grant)
www.lauraharrington.co.uk

Manjot Kaur (1989, IN) attended the module “Pattern, Integrity” (granted from Inlaks Shivdasani Foundation)
www.kaurmanjot.com

Eleonora Mattozzi (1992, IT) attended the module “Broadcasting the archive #10” (granted from Accademia di Belle Arti di Roma)

Farah Michel (1996, EG / CA / SA) attended the module “Broadcasting the archive #10”

Esthela Meza (1992, MX / FR) attended the module “Broadcasting the archive #10” (granted from École supérieure d'art et design - ESAD, Grenoble)

Nicolò Molinari (1995, IT) attended the module “Pattern, Integrity”

Marit Mihklepp (1985, EE / NL) attended the module “Expanded Body #2 Inhabiting Time. An experience about time in the Oasi Zegna” (Fondazione Zegna/UNIDEE joint grant)
https://maritmihklepp.com

Diana Pacelli (1982, IT / DE) attended the module “Pattern, Integrity”
www.dianapacelli.com

Enrico Partengo (1985, IT) attended the module “Expanded Body #2 Inhabiting Time. An experience about time in the Oasi Zegna” (Fondazione Zegna/UNIDEE joint grant)
https://enricopartengo.jimdo.com

Meredith Root-Bernstein (1982, US) attended the module “Expanded Body #2 Inhabiting Time. An experience about time in the Oasi Zegna” (Fondazione Zegna/UNIDEE joint grant)
www.researchgate.net/profile/Meredith_Root-Bernstein

Maria Giovanna Sodero (1991, IT) attended the module “Broadcasting the archive #10” (granted from Accademia di Belle Arti di Roma)
http://mariagiovannasoder.wixsite.com/mariagiovannasodero/portfolio

Elisa Storelli (1986, DE / CH) attended the module “Expanded Body #2 Inhabiting Time. An experience about time in the Oasi Zegna” (Fondazione Zegna/UNIDEE joint grant)
http://elisastorelli.ch

Lidia Zhudro (1991, RU) attended the module “Broadcasting the archive #10”
https://readymag.com/u24375058/lidiazhudro/



SECOND TRIMESTER 2017:

Noor Abed (1988, PS/US) attended the module “The Subtle Urgencies” (A.M. Qattan Foundation/UNIDEE joint grant)
vimeo.com/210695159

Miguel Amado (1973, P/UK) attended the module “96 Extraordinary Cockroaches”
www.artandeducation.net/directory/79393/middlesbrough-institute-of-modern-art-at-teesside-university 

Jasmine Bakalarz (1985, RA) attended the module “And if… Just if… (why the alternative Y did not take place)” - in partnership with M.A.P.S. - Arts in Public Spheres, ECAV, Sierre

Elena Bellantoni (1975, IT) attended the module “The Subtle Urgencies”
vimeo.com/user1954949/about

Chiara Bertin (1985, IT) attended the module “And if… Just if… (why the alternative Y did not take place)” - in partnership with M.A.P.S. - Arts in Public Spheres, ECAV, Sierre

Željka Blakšić (1982, HR) attended the module “Trauma & Revival: Contemporary Encounters” - A project co-funded by the Creative Europe Programme of the EU
www.gitablak.com

Kristina Borg (1987, M / IT) attended the module “Socially and Community Engaged Art. What is it and who is doing it?”
https://independent.academia.edu/KristinaBorg/CurriculumVitae

Anna Borghi (1980, IT) attended the module “Socially and Community Engaged Art. What is it and who is doing it?”
www.annaborghi.com

Katarina Bramer (1969, S) attended the module “Socially and Community Engaged Art. What is it and who is doing it?”
www.katarinabramer.com

Eva Bullens (1987, NL) attended the module “Socially and Community Engaged Art. What is it and who is doing it?”
www.evabullens.org

Laetitia Carlotti (1972, F) attended the module “Socially and Community Engaged Art. What is it and who is doing it?”
www.arterra.corsica/portofolio_page/laetitia-carlotti-good/

Eduardo Cassina (1986, E) attended the module “Trauma & Revival: Contemporary Encounters” - A project co-funded by the Creative Europe Programme of the EU
www.metasitu.com

Borana Dollanga (1993, AL) attended the module “The Subtle Urgencies” (granted from the Minister of Culture of the Republic of Albania)

Armando Ducellari (1990, AL) attended the module “The Subtle Urgencies” (granted from the Minister of Culture of the Republic of Albania)

Viktorija Eksta (1987, LV) attended the module “Trauma & Revival: Contemporary Encounters” - A project co-funded by the Creative Europe Programme of the EU
www.vikaeksta.com

Marisa Ferreira (1983, P) attended the module “Socially and Community Engaged Art. What is it and who is doing it?”
www.marisa-ferreira.com

Krzysztof Gutfranski (1982, PL) attended the module “Trauma & Revival: Contemporary Encounters” - A project co-funded by the Creative Europe Programme of the EU
www.gutfranski.com

Suzannah Henty (1992, AUS) attended the module “Trauma & Revival: Contemporary Encounters” - A project co-funded by the Creative Europe Programme of the EU

Olivia Heron (1985, UK) attended the module “Socially and Community Engaged Art. What is it and who is doing it?”
www.visitmima.com

Alina Iakubenko (1983, UA) attended the module “96 Extraordinary Cockroaches” (granted from RESO'Lab project)

Anne-Loyse Jaques (1982, CH) attended the module “And if… Just if… (why the alternative Y did not take place)” - in partnership with M.A.P.S. - Arts in Public Spheres, ECAV, Sierre

Altin Krasniqi (1994, RKS) attended the module “The Subtle Urgencies” (granted from the National Gallery of Kosovo)

Lori Lako (1991, AL) attended the module “The Subtle Urgencies” (granted from ArtHouse, Scutari)
startartprojects.com/projects/tu35/

Olga Lukyanova (1988, RUS) attended the module “Trauma & Revival: Contemporary Encounters” - A project co-funded by the Creative Europe Programme of the EU
www.dropbox.com

Giles Maffett (1988, UK) attended the module “Socially and Community Engaged Art. What is it and who is doing it?”
twitter.com/GilesMaffett

Leonardo Mastromauro (1988, IT) attended the module “Trauma & Revival: Contemporary Encounters” - A project co-funded by the Creative Europe Programme of the EU

Victoria McKenzie (1993, JA/CDN) attended the module “96 Extraordinary Cockroaches”
victoriamckenzie.format.com

Dina Mimi (1994, HKJ) attended the module “And if… Just if… (why the alternative Y did not take place)” - in partnership with M.A.P.S. - Arts in Public Spheres, ECAV, Sierre

Carisa Mitchell (1986, US / CH) attended the module “Socially and Community Engaged Art. What is it and who is doing it?”
www.carisamitchell.com

Nicholas Morris (1990, US / UK / F) attended the module “Socially and Community Engaged Art. What is it and who is doing it?”
www.nicholasedwardmorris.com

Kosmas Nikolaou (1984, GR) attended the module “Trauma & Revival: Contemporary Encounters” - A project co-funded by the Creative Europe Programme of the EU
www.3137.gr

Anne Papalia (1957, DZ / F) attended the module “Socially and Community Engaged Art. What is it and who is doing it?”
http://urlz.fr/5q3Z

Soledad Pinto (1978, RCH) attended the module “The Subtle Urgencies”
www.solepinto.com

David Romeron (1979, RCH) attended the module “And if… Just if… (why the alternative Y did not take place)” - in partnership with M.A.P.S. - Arts in Public Spheres, ECAV, Sierre

Matthew Rosen (1993, GB) attended the module “Trauma & Revival: Contemporary Encounters” - A project co-funded by the Creative Europe Programme of the EU
mattrosen.tumblr.com

Oleksii Sai (1975, UA) attended the module “96 Extraordinary Cockroaches” (granted from RESO'Lab project)
www.oleksiysai.com/bio

Jean Salamin (1990, CH) attended the module “And if… Just if… (why the alternative Y did not take place)” - in partnership with M.A.P.S. - Arts in Public Spheres, ECAV, Sierre

Vanessa Sandoval (1990, CO) attended the module “The Subtle Urgencies” (granted from RESO' project)
vanessasdovalc.tumblr.com

Vitalij Strigunkov (1990, LT) attended the module “Trauma & Revival: Contemporary Encounters” - A project co-funded by the Creative Europe Programme of the EU
vimeo.com/user15334164

Jetullah Sylejmani (1985, RKS) attended the module “The Subtle Urgencies” (granted from the National Gallery of Kosovo)

Ariane Teodoris (1984, CH) attended the module “And if… Just if… (why the alternative Y did not take place)” - in partnership with M.A.P.S. - Arts in Public Spheres, ECAV, Sierre

Sinethemba Twalo (1985, ZA) attended the module “And if… Just if… (why the alternative Y did not take place)” - in partnership with M.A.P.S. - Arts in Public Spheres, ECAV, Sierre

Helen Welford (1985, UK) attended the module “Socially and Community Engaged Art. What is it and who is doing it?”
www.visitmima.com

 

FIRST TRIMESTER 2017:

Edoardo Aruta (1981, IT) attended the module “Errasmus Mundus. The Desire of Error in Revolutionary Times” 
www.edoardoaruta.com
http://impresari.tumblr.com

Marie Henrich (1995, FR) attended the module “Errasmus Mundus. The Desire of Error in Revolutionary Times” (granted from École supérieure d'art et design - ESAD, Grenoble)

Manuel Focareta (1990, IT) attended the module “Errasmus Mundus. The Desire of Error in Revolutionary Times” (granted from Accademia di Belle Arti di Roma)
www.numerocromatico.com
www.nodesmagazine.com

Peter Kaergaard Andersen (1988, NL) attended the module “Errasmus Mundus. The Desire of Error in Revolutionary Times” (illycaffé/UNIDEE joint grant) 
www.jamboy.dk

Stefania Crobe (1980, IT) attended the module “Errasmus Mundus. The Desire of Error in Revolutionary Times”
www.sitilab.org

Lasse Emil Larsen Mouritzen (1988, NL) attended the module “Errasmus Mundus. The Desire of Error in Revolutionary Times”
www.jamboy.dk

Miru Kim (1995, D / FR) attended the module “Proposal for Schizoanalytical Seminar II: Title Forthcoming” (granted from École supérieure d'art et design - ESAD, Grenoble)
http://mirumirumirumiru.tumblr.com

Leon Hilton (1984, US) attended the module “Proposal for Schizoanalytical Seminar II: Title Forthcoming”
http://leonjhilton.com

Teodoro Tarazi (1996, IT) attended the module “Proposal for Schizoanalytical Seminar II: Title Forthcoming”

Daniella Domingues (1982, BR) attended the module “Proposal for Schizoanalytical Seminar II: Title Forthcoming” (illycaffé/UNIDEE joint grant) 
http://cargocollective.com/danielladomingues

Murari Jha (1988, IND) attended the module “Proposal for Schizoanalytical Seminar II: Title Forthcoming” (granted from Inlaks Shivdasani Foundation)

Paola Bommarito (1985, IT) attended the module “LudoCity. Designing a site specific game”
www.roots-routes.org

Nicholas Ferrara (1984, IT) attended the module “LudoCity. Designing a site specific game”
http://inkerwarehouse.blogspot.com

Nicolò Molinari (1995, IT) attended the module “LudoCity. Designing a site specific game”
www.facebook.com/giornatadellarte.biella

Sara Gallotto (1987,IT) attended the module “LudoCity. Designing a site specific game”
http://qasba-project.blogspot.it

Melania Fusco (1987, IT) attended the module “LudoCity. Designing a site specific game”

Saverio Bonato (1991, IT) attended the module “Touch, don't Dominate” (granted from Bevilacqua La Masa,Venice)
www.saveriobonato.com

Laura Santini (1993, IT) attended the module “Touch, don't Dominate” (granted from IUAV, Venice)

Magda Chiarelli (1974, IT) attended the module “Touch, don't Dominate” (granted from Accademia di Belle Arti di Brera, Milan)
www.magdarteclaudio.com

Fikrete Topalli (1983, Kosovo) attended the module “Touch, don't Dominate” (granted from Accademia di Belle Arti di Brera, Milan)

Murari Jha (1988, IND) attended the module “Touch, don't Dominate” (granted from Inlaks Shivdasani Foundation)

Miguel González Cabezas (1992, A / E) attended the module “Touch, don't Dominate”
www.miguelgonzalezcabezas.com

Michelle Claase (1989, ZA / HK) attended the module “Touch, don't Dominate” (illycaffé/UNIDEE joint grant)
www.michelleclaase.com

Marie-Andrée Godin (1986, CDN/SF) attended the module “Expanded Body. An immersive exploration of the Oasi Zegna” (Zegna/UNIDEE joint grant)

Fernanda Rappa (1978, BR) attended the module “Expanded Body. An immersive exploration of the Oasi Zegna” (Zegna/UNIDEE joint grant)
http://cargocollective.com/fernandarappa

Serena Porrati (1981, IT) attended the module “Expanded Body. An immersive exploration of the Oasi Zegna” (Zegna/UNIDEE joint grant)
serenaporrati.com

Giulia Filippi (1982, IT) attended the module “Expanded Body. An immersive exploration of the Oasi Zegna” (Zegna/UNIDEE joint grant)
http://lumensanakirja.blogspot.it

Alessandro Perini (1983, IT) attended the module “Expanded Body. An immersive exploration of the Oasi Zegna” (Zegna/UNIDEE joint grant)
https://alessandroperini.com

Philip Cartelli (1984, US) attended the module “Expanded Body. An immersive exploration of the Oasi Zegna” (Zegna/UNIDEE joint grant)
http://pcartelli.com

Micol Roubini (1982, IT) attended the module “Expanded Body. An immersive exploration of the Oasi Zegna” (Zegna/UNIDEE joint grant)
https://casaliroubini.wordpress.com

Lorenzo Casali (1980, IT) attended the module “Expanded Body. An immersive exploration of the Oasi Zegna” (Zegna/UNIDEE joint grant)
https://casaliroubini.wordpress.com

Stefan Milosavljevic (1992, SRB/IT) attended the module “The revolution of the gaze. Inside the visible, to grasp the invisible” (granted from Bevilacqua La Masa,Venice)
cargocollective.com/stefanmilosavljevic

Anna Massimo (1995, IT) attended the module “The revolution of the gaze. Inside the visible, to grasp the invisible” (granted from ISIA, Faenza)

Anne Loyse Jaques (1982, CH) attended the module “The revolution of the gaze. Inside the visible, to grasp the invisible” (granted from ECAV - Ecole Cantonale d'Art du Valais, Sierre)

Giacomo Pederiva (1993, IT) attended the module “The revolution of the gaze. Inside the visible, to grasp the invisible” (granted from IUAV, Venice)

Lisa Andreani (1993, IT) attended the module “The revolution of the gaze. Inside the visible, to grasp the invisible” (granted from IUAV, Venice)

Roberto Nino Betancourt (1987, CO/IT) attended the module “The revolution of the gaze. Inside the visible, to grasp the invisible” (illycaffé/UNIDEE joint grant)
robertoninob.tumblr.com

Zlatolin Ventsislavov Donchev (1990, RC/IT) attended the module “The revolution of the gaze. Inside the visible, to grasp the invisible”
http://zlatolin.tumblr.com
www.antomilotta.altervista.org

Manolo Liuzzi (1995, IT) attended the module “The dance of attention. What happens as soon as we press record on a device” (granted from ISIA, Faenza)

Sula Chiovenda (1995, IT) attended the module “The dance of attention. What happens as soon as we press record on a device” (granted from ISIA, Faenza)

Ariane Teodoris (1984, CH) attended the module “The dance of attention. What happens as soon as we press record on a device” (granted from ECAV - Ecole Cantonale d'Art du Valais, Sierre)

Natalia Ludmila (1979, MEX) attended the module “The dance of attention. What happens as soon as we press record on a device”
http://natalialudmila.net

Alessandra Carosi (1984, IT) attended the module “The dance of attention. What happens as soon as we press record on a device” (illycaffé/UNIDEE joint grant)
www.alessandracarosi.com

Caterina Giansiracusa (1989, IT) attended the module “The dance of attention. What happens as soon as we press record on a device”
www.facebook.com/deviAzioniproject


FIRST TRIMESTER 2016:

Vanessa Alessi (1979, IT) attended the module "Designing while Walking, Walking while Designing" (Zegna/UNIDEE joint grant)
http://alessivanessa.tumblr.com

Lydia Ang (1988, SG) attended the module "Sound, Space, Body" (Illycaffè/UNIDEE joint grant)
https://soundcloud.com/lydia-ang

Seitaku Aoyama (1973, JP / US) attended the module "Girotondo"
www.taksanart.com

Milagros Arias (1984, PE) attended the module "Designing while Walking, Walking while Designing" (Zegna/UNIDEE joint grant)
https://milagrosariasecada.carbonmade.com

Alaa Abu Asad (1989, PS) attended the module "The Shifting Place. Aesthetic, spatial and temporal fractures of transitional territories" - a project co-funded by the Creative Europe Programme of the EU
http://aboasadalaa.wixsite.com/this-makes-no-sense

Abigail Auld (1988, CA) attended the module "Mineral Rights. Site Exploration: Biella Guide Tours"
www.abigailauld.com

Claudio Beorchia (1979, IT) attended the module "Designing while Walking, Walking while Designing" (Zegna/UNIDEE joint grant)
www.claudiobeorchia.it

Mathieu Brethes (1982, FR) attended the module “Unmaking: Subverting The Every-Day” (granted from École supérieure d'art et design - ESAD, Grenoble)
www.sotramem.fr

Nicolò Cervello (1993, IT) attended the module "Sound, Space, Body" (granted from Accademia di Belle Arti di Brera)

Tom Collison (1991, UK) attended the module "Designing while Walking, Walking while Designing" (Zegna/UNIDEE joint grant)
http://cargocollective.com/tomcollisondesign

Emer Costello (1979, UK) attended the module "Sound, Space, Body"
www.emercostello.me

Sílvia Cruells (1986, ES) attended the module "The Shifting Place. Aesthetic, spatial and temporal fractures of transitional territories" - a project co-funded by the Creative Europe Programme of the EU
www.lafloristeria.eu

Cinzia Delnevo (1982, IT / UK) attended the module “(Over)worked Bodies, Care and Maintenance”
www.cinziadelnevo.com

Christophe Dos Santos (1992, FR) attended the module “(Over)worked Bodies, Care and Maintenance” (granted from Ecole supérieure d'art et design - ESAD, Grenoble)

Rebecca Dunne (1990, IR) attended the module "Sound, Space, Body"
www.rebeccadunne.tumblr.com

Sophia Edlund (1990, SE) attended the module "Sound, Space, Body"

Stephano Espinoza (1992, EC / US) attended the module “(Over)worked Bodies, Care and Maintenance” (Illycaffè/UNIDEE joint grant)
http://cargocollective.com/stephanoeg

Nicholas Ferrara (1984, IT) attended the modules “Unmaking: Subverting The Every-Day” and "Sound, Space, Body"
http://inkerwarehouse.blogspot.it

Andrew Friend (1985, UK) attended the module "The Shifting Place. Aesthetic, spatial and temporal fractures of transitional territories" - a project co-funded by the Creative Europe Programme of the EU
www.andrewfriend.co.uk

Emma Gibson (1983, AU) attended the module "The Shifting Place. Aesthetic, spatial and temporal fractures of transitional territories" - a project co-funded by the Creative Europe Programme of the EU
https://emmajgibson.com

Fionnuala Heidenreich (1979, AU / UK) attended the module “(Over)worked Bodies, Care and Maintenance”
www.f-heidenreich.net

Mary Hogan (1993, US) attended the module "Girotondo" (Illycaffè/UNIDEE joint grant)
http://newproxemix.odie.us

Hisae Ikenaga (1977, MX) attended the module "Designing while Walking, Walking while Designing" (Zegna/UNIDEE joint grant and Pollock-Krasner Foundation)
http://www.hisaeikenaga.com

Eleni Kamma (1973, GR / CY) attended the module "The Shifting Place. Aesthetic, spatial and temporal fractures of transitional territories" - a project co-funded by the Creative Europe Programme of the EU
www.elenikamma.com

Fenia Kotsopoulou (1981, GR / UK) attended the module "Designing while Walking, Walking while Designing" (Zegna/UNIDEE joint grant)
http://feniakotsopoulou.wixsite.com/artist

Katherine Lee (1976, AUS) attended the module "Sound, Space, Body"
http://katielee.com.au

Wayne Lim (1989, SG) attended the module "The Shifting Place. Aesthetic, spatial and temporal fractures of transitional territories" - a project co-funded by the Creative Europe Programme of the EU
http://waynelim.com

Elena Mazzi (1984, IT) attended the module "Mineral Rights. Site Exploration: Biella Guide Tours" (Illycaffè/UNIDEE joint grant)
www.elenamazzi.com

Victoria McKenzie (1993, JM/CA) attended the module "Sound, Space, Body"
http://victoriamckenzie.ca

Valeria Nekhaeva (1985, RU) attended the module "Designing while Walking, Walking while Designing" (Zegna/UNIDEE joint grant)
http://nekhaevv.tumblr.com

Marie Neumann (1991, DE) attended the module “(Over)worked Bodies, Care and Maintenance” (granted from Accademia di Belle Arti of Rome)

Phumulani Ntuli (1986, ZA/CH) attended the module "Sound, Space, Body" (granted from École supérieure d'art et design - ESAD, Grenoble)

Patrick Ostrowsky (1991, DE) attended the module "Mineral Rights. Site Exploration: Biella Guide Tours" (granted from Accademia di Belle Arti of Rome)
http://postrowsky.wixsite.com/patrickostrowsky

Teresa Palmieri (1989, IT) attended the module "The Shifting Place. Aesthetic, spatial and temporal fractures of transitional territories" - a project co-funded by the Creative Europe Programme of the EU
http://teresapalmieri.com

Anna Elena Paraboschi (1993, IT) attended the module "Mineral Rights. Site Exploration: Biella Guide Tours"

Marlon Portales (1991, CU) attended the module “Unmaking: Subverting The Every-Day” (Illycaffè/UNIDEE joint grant)

Jennifer Poueymirou (1972, US) attended the module "Mineral Rights. Site Exploration: Biella Guide Tours"
www.jenpoueymirou.com

Elja Ranta (1980, FI) attended the module "The Shifting Place. Aesthetic, spatial and temporal fractures of transitional territories" - a project co-funded by the Creative Europe Programme of the EU
www.eijaranta.com

Juan Recaman (1973, CO/US) attended the module "Sound, Space, Body"
http://juanrecaman.com

Jihyun Ryou (1980, KR / IT) attended the module "Designing while Walking, Walking while Designing" (Zegna/UNIDEE joint grant)
www.savefoodfromthefridge.com

Alessandro Scotti (1971, IT) attended the module "Sound, Space, Body"
www.alessandroscotti.com

Chiara Sgaramella (1982, IT) attended the module "The Shifting Place. Aesthetic, spatial and temporal fractures of transitional territories" - a project co-funded by the Creative Europe Programme of the EU
http://cargocollective.com/chiarasgaramella

Moonis Shah (1992, IN) attended the module "The Shifting Place. Aesthetic, spatial and temporal fractures of transitional territories" - a project co-funded by the Creative Europe Programme of the EU

Yana Shushkova (1994, IT/BG) attended the module "Designing while Walking, Walking while Designing" (granted from Accademia di Belle Arti di Brera)

Sarasija Subramanian (1992, IN) attended the modules "Mineral Rights. Site Exploration: Biella Guide Tours" and "Girotondo" (Inlaks Shivdasani Foundation/UNIDEE joint grant)

Maria Vastola (1984, IT) attended the module "Sound, Space, Body"
www.vixmagazine.it/maria-vastola

Lorelinde Verhees (1983, NL) attended the module "Girotondo"
www.lorelindeverhees.nl

Benjamin Volta (1979, US) attended the module "Girotondo"
www.benvolta.com

Luz Nadina Zapata (1993, CO) attended the module “Unmaking: Subverting The Every-Day” (granted from Fundaciòn Universitaria Bellas Artes of Medellìn)


SECOND TRIMESTER 2016:

Vanessa Alessi (1979, IT) attended the module “The Encounter. Reclaiming the potentiality of affection”
http://alessivanessa.tumblr.com/

Giampaolo Algieri (1990,IT) attended the module "Personal Imaginary Museum" (granted from Accademia di Belle Arti di Brera)

Miguel Amado (1973, PT / US) attended the module “Elapsing Time in Expanded Artwork. Practices of the unconscious through means of activism”
www.visitmima.com

Valeriana Bercicchi (1987, IT) attended the module "Personal Imaginary Museum" (granted from Accademia di Belle Arti of Rome)

Patrizia Bonardi (1969, IT) attended the module “The Encounter. Reclaiming the potentiality of affection”
www.patriziabonardi.net

Anna Borghi (1980, IT) attended the module “The Encounter. Reclaiming the potentiality of affection”
www.annaborghi.com

Eva Bullens (1987, NL) attended the module “Carving out the spaces for our commoned life: a training ground”
www.evabullens.org
www.unusualbusiness.nl

Noemi Cassani (1993, IT) attended the module "Practicing the Object. Give me an (art)object so I can find my position and continue to move" (granted from ISIA-Faenza)

Lorie Caval (1972, US) attended the module “Elapsing Time in Expanded Artwork. Practices of the unconscious through means of activism”
www.loriecaval.com

Aurora Chiriaco (1994, IT) attended the module "Practicing the Object. Give me an (art)object so I can find my position and continue to move"

Marta Colpani (1986, IT / NL) attended the module “The Encounter. Reclaiming the potentiality of affection”
www.martacolpani.com

Daniel Dallabrida (1956, US) attended the module "Practicing the Object. Give me an (art)object so I can find my position and continue to move"
www.dallabrida.com

Angelo Di Bello (1976, IT) attended the module "Personal Imaginary Museum" (granted from Accademia di Belle Arti of Rome)

Alicia Dupont Lievens (1993, FR) attended the module “The Encounter. Reclaiming the potentiality of affection”
https://aliciadlblog.wordpress.com

Kirsten Farrell (1971, AU) attended the modules "Practicing the Object. Give me an (art)object so I can find my position and continue to move" and “The Encounter. Reclaiming the potentiality of affection” (granted from RESO' project)
www.kirsten-farrell.com

Bib Frrokaj (1992, AL) attended the module “The Encounter. Reclaiming the potentiality of affection” (granted from the Minister of Culture of the Republic of Albania)

Jumana Ghouth (1987, SA) attended the module “Elapsing Time in Expanded Artwork. Practices of the unconscious through means of activism”

Tara Gilbee (1970, AU) attended the module “Carving out the spaces for our commoned life: a training ground”
www.taragilbee.com

Lek M. Gjeloshi (1987, AL) attended the module “The Encounter. Reclaiming the potentiality of affection” (granted from the Minister of Culture of the Republic of Albania)

Chihiro Gompei (1985, JP/UK) attended the module "Practicing the Object. Give me an (art)object so I can find my position and continue to move"
www.chihirogompei.com

Chanel Hackett (1991, US) attended the module "Practicing the Object. Give me an (art)object so I can find my position and continue to move" granted from SACI International Florence)

Marie-Nour Hechaime (1989, LB) attended the module “Carving out the spaces for our commoned life: a training ground”

Franziska Hederer (1972, AT) attended the module "Personal Imaginary Museum"
http://kunstlabor-graz.at

Lore Hindiger (1956, AT) attended the module "Personal Imaginary Museum"
http://kunstlabor-graz.at

Matteo Impedovo (1993, IT) attended the module "Which language will I speak to you? Collective voice after the end of protest"

Alison Levy (1979, US) attended the module "Which language will I speak to you? Collective voice after the end of protest"
www.starryblessings.com

Giulia Marra (1983, IT) attended the module “Carving out the spaces for our commoned life: a training ground”

Giulia Meloni (1990, IT) attended the module "Practicing the Object. Give me an (art)object so I can find my position and continue to move"

April Moon (1986, KR) attended the module "Practicing the Object. Give me an (art)object so I can find my position and continue to move" (granted from SACI International Florence)

Andria Nicolaou (1992, CY) attended the module "Personal Imaginary Museum"

G. Olmo Stuppia (1991, IT) attended the module “Elapsing Time in Expanded Artwork. Practices of the unconscious through means of activism”
www.bevilacqualamasa.it/gaetano-olmo-stuppia

Alessandra Prandin (1985, IT) attended the module “Carving out the spaces for our commoned life: a training ground”
www.collectif-aboutblank.com/lecollectif.html

Nuvola Ravera (1984, IT) attended the module “Elapsing Time in Expanded Artwork. Practices of the unconscious through means of activism”
www.bevilacqualamasa.it/nuvola-ravera

Jacopo Rinaldi (1988, IT) attended the module "Which language will I speak to you? Collective voice after the end of protest"
http://cargocollective.com/jacoporinaldi

Enza Rripaj (1995, AL) attended the module “The Encounter. Reclaiming the potentiality of affection”

Sandra Schüddekopf (1973, AT) attended the module "Personal Imaginary Museum"
http://kunstlabor-graz.at

Fabienne Trotte (1971, FR) attended the module “Carving out the spaces for our commoned life: a training ground”
http://cargocollective.com/devenirpaysage

Raneem Turjman (1987, US/PS) attended the modules "Which language will I speak to you? Collective voice after the end of protest" and "Practicing the Object. Give me an (art)object so I can find my position and continue to move" (granted from A.M. Qattan Foundation/UNIDEE)
www.behance.net/raneemturjman

Dennis van Gaalen (1986, NL) attended the module “Carving out the spaces for our commoned life: a training ground”
www.studioinherent.com
www.unusualbusiness.nl

Paul Wiebinski (1983, DE) attended the module "Personal Imaginary Museum"
http://kunstlabor-graz.at

Francesco Zanatta (1989, IT) attended the module "Practicing the Object. Give me an (art)object so I can find my position and continue to move"
www.bevilacqualamasa.it/francesco-zanatta

Edith Zeier-Draxl (1957, AT) attended the module "Personal Imaginary Museum"
http://kunstlabor-graz.at



FIRST TRIMESTER 2015:

Nour Abd Elrahman Abu Arafeh (1986, PS / CH) attended the module “The artistic production of the common between territorialization and (re)localisation”

Anna Andrich (1985, DE / BE) attended the module “Changing nothing so that everything is different”

AVES project (Matteo Gatti (1989, IT) & Demetrio Giacomelli (1986, IT)) attended the module “Ubiquitous Infoscapes”

Valentina Bonizzi (1982, IT / UK) attended the module “The artistic production of the common between territorialization and (re)localisation”

Victor Brustet (1991, FR) attended the module “Ubiquitous Infoscapes”

Adelaide Cioni (1976, IT) attended the module “Performing Anthropology”
www.adelaidecioni.com

Milica Ćirović (1984, RS / IT ) attended the module “The Artist as Entrepreneur: relationships between artists, society, markets and world economy”

Aleksandra Anna Czuba (1976, IT) attended the module “Performing Anthropology”

Jessica Esther Decorvet (1989, CH) attended the module “Group Matters”

Ekarasa Mara Doblanovic (1978, HR / IT / NZ) attended the module “Group Matters”
www.imaginetheland.com
www.ekarasa.com

Marta Ferretti (1976, IT) attended the module “Performing Anthropology”

Olivia Garro (1991, IT) attended the module “Performing Anthropology”

Ilaria Genovesio (1992, IT) attended the module “Curating as a form of assembly”

Genevieve Goffman (1991, USA) attended the module “Ubiquitous Infoscapes”

Mohamed Zacharia Hamideche (1990, DZ / FR) attended the module “Changing nothing so that everything is different”

Lucia Mammana (1989, IT) attended the module “Performing Anthropology”

Anne Marchal (1990, FR) attended the module “Ubiquitous Infoscapes”
http://annemarchal.tumblr.com/
https://vimeo.com/user38593370

Thomas Fabien Martin (1986, FR) attended the module “The artistic production of the common between territorialization and (re)localisation”

Julie Martin-Cabétich (1982, FR) attended the module “Group Matters”

Gemma Rosa Medina Estupiñán (1975, ES / NL) attended the module “Curating as a form of assembly”
http://www.arte-util.org
http://museumarteutil.net

Alexia Mellor (1975, UK) attended the module “The artistic production of the common between territorialization and (re)localisation”
http://alexiamellor.com

Alma Oneida Sauret (1993, FR) attended the module “Patterns and Music”
https://soundcloud.com/alma-sauret-small

Marianna Orlotti (1988, IT) attended the module “The artistic production of the common between territorialization and (re)localisation”

Parasite 2.0 (Stefano Colombo (1989, IT) & Eugenio Cosentino (1989, IT)) attended the module “Changing nothing so that everything is different”
http://parasitelab.tumblr.com/

Anna Teresa Pfeiffer (1987, PL / IT) attended the module “The Artist as Entrepreneur: relationships between artists, society, markets and world economy”

Sofya Postnikova (1993, RU / NL) attended the module “Curating as a form of assembly”

Giorgia Zoe Righini (1987, IT) attended the module “Patterns and Music”

Karim Rochdi (1989, MA /IT) attended the module “The Artist as Entrepreneur: relationships between artists, society, markets and world economy”

Giulia Roncucci (1982, IT) attended the module “The Artist as Entrepreneur: relationships between artists, society, markets and world economy”

Ewa Rossal (1979, PL) attended the module “Performing Anthropology”

Aela Yanina Royer (1992, FR) attended the module “Patterns and Music”

Irene Ruiz Bazán (1983, ES / IT) attended the module “The Artist as Entrepreneur: relationships between artists, society, markets and world economy”

Peter Philippe Schreuder (1982, CH) attended the module “Changing nothing so that everything is different”
http://peterschreuder.tumblr.com/
https://twitter.com/peter_schreuder

Maria Slavnova (1983, RU / USA / AZ) attended the module “Changing nothing so that everything is different”
http://issuu.com/mosurbanforum/docs/archaeology_of_the_periphery
http://rebargroup.org/
http://www.strelka.com/en/research/studio/retail

Edgar Tom Owino Stockton (1992. UK / CH / FR) attended the module “Curating as a form of assembly”

Chiara Tirloni (1969, IT) attended the module “Group Matters”

Fabienne Trotte (1971, FR) attended the module “The artistic production of the common between territorialization and (re)localisation”
http://cargocollective.com/devenirpaysage

Allard van Hoorn (1968, NL) attended the module “Changing nothing so that everything is different”
http://www.allardvanhoorn.com/biography_020.asp
http://www.allardvanhoorn.com/biography_024.asp
http://www.allardvanhoorn.com/biography_028.asp

Linda Vigiani (1986, IT) attended the module “Curating as a form of assembly”

Eszter Wolf (1973, HU) attended the module “Group Matters”
http://eszterwolf.com/portfolio_wolf_2015_eng_new.pdf

 

SECOND TRIMESTER 2015:

Andrea Alauria (1991, IT) attended the module "Performative situations in public space: The research and action group"

Mariangela Aponte (1983, CO) attended the module "Matter as experience" e "Recipe for stone soup: How to let time cook us all. Procedures for conversational practice in contemporary art"

Anita Bacic (1967, AU) attended the module “Terrain Vague”
www.anitabacic.com
www.rediscoveringspringfield.com
https://vimeo.com/80697238

Ágnes Básthy (1986, HU) attended the module "Creating Territorialities"
http://agnesbasthy.wixsite.com/photo

Roberta Bernasconi (1985, IT) attended the module "Recipe for stone soup: How to let time cook us all. Procedures for conversational practice in contemporary art"

Juhikadevi Bhanjdeo (1986, IN) attended the module “Terrain Vague” and "Matter as experience"

Johanna Bratel (1985, SE) attended the module "Creating Territorialities"

Anna Bromley (1971, DE) attended the module "Creating Territorialities"
www.annabromley.com

Jeanette Castioni (1968, IT / IS) attended the module "Where imagination slips into reality"
www.jeannette.is

Dandara Catete (1992, BR) attended the module “Matter as experience” 
http://dandaracatete.wix.com/arte

Queenie Clarke (1991, UK) attended the module “Terrain Vague” 
www.queenieclarke.com

Marta Colpani (1986, IT / NL) attended the module “Terrain Vague”, "Where imagination slips into reality" and "Matter as experience"
http://www.martacolpani.com/

Mariapia Colzani (1992, IT) attended the module “Terrain Vague”
http://issuu.com/mariapiacolzani/docs/portfolio_11-15_divise

Marta Duzzi (1990, IT) attended the module “Diritto e creazione d'artista”

Nathalie Esther Eldan (1981, IL) attended the module “Terrain Vague” 
www.nathalieeldanarchitecture.com

Simone Frangi (1982, IT) attended the module "Recipe for stone soup: How to let time cook us all. Procedures for conversational practice in contemporary art"
www.viafarini.org

Valentina Furian (1989, IT) attended the module “Matter as experience”
http://issuu.com/valentinafurian/docs/furian_portfolio_12i2015

Katia Greco (1977, IT) attended the module "Where imagination slips into reality", "Performative situations in public space: The research and action group" and "Recipe for stone soup: How to let time cook us all. Procedures for conversational practice in contemporary art"
https://katiadgreco.carbonmade.com

Miles Greenberg (1997, CA) attended the module "Performative situations in public space: The research and action group"
http://www.milesgreenberg.com

Bahar Habibi (1990, IR / CA) attended the module "Creating Territorialities"
http://cargocollective.com/wwwbaharhabibicom

Diva Helmy (1993, US) attended the module "Creating Territorialities"
www.divahelmy.com

Lorenza Ippolito (1979, UK) attended the module "Creating Territorialities"
www.lorenzaippolito.co.uk

Mako Ishizuka (1974, JP / SE) attended the module "Where imagination slips into reality"
http://www.makois.com/

Pablo Jansana (1976, CHI / USA) attended the module “Photocopy tales: Publications and visual essays” 
http://www.pablojansana.com

Sergey Kantsedal (1989, UA/IT) attended the module "Recipe for stone soup: How to let time cook us all. Procedures for conversational practice in contemporary art"

Astrid Kaemmerling (1983, DE) attended the module “Terrain Vague”
https://astridkaemmerling.com/

Aya Kirresh (1989, PS) attended the module “Terrain Vague”, "Why do I do what I do?" and "Where imagination slips into reality"

Lia Krucken (1973, BR / DE) attended the module "Creating Territorialities"
https://liakrucken.de/

Lila Lee (1980, KR) attended the module "Why do I do what I do?"
www.leehyijung.com

Clara Madaro (1989, IT) attended the module "Why do I do what I do?"
https://independent.academia.edu/ClaraMadaro

Luciana Maia Dos Santos (1986, BR) attended the module “Terrain Vague” 
www.lumaia.com

Abigale Neate-Wilson (1990, UK) attended the module "Where imagination slips into reality"
http://www.abigaleneatewilson.com

Pietro Nocita (1980, IT) attended the module “Diritto e creazione d'artista”

One in the Loop (1980, IT) attended the module "Performative situations in public space: The research and action group"
http://10oneintheloop.blogspot.it/

Ji Hyun Park (1980, KR / DE) attended the module "Creating Territorialities"
http://jihyunpark.org/

Alessandro Perini (1983, IT / SE) attended the module "Creating Territorialities"
www.alessandroperini.com/Alessandro_Perini/Home.html
https://touchmysound.wordpress.com/

James Phillips (1981, CA) attended the module "Performative situations in public space: The research and action group"

Anna Pirri (1991, IT) attended the module “Diritto e creazione d'artista”

Ricardo Portilho (1970, BRA) attended the module “Photocopy tales: Publications and visual essays”

Sofya Postnikova (1993, RU) attended the module “Photocopy tales: Publications and visual essays”

Alessandra Ricci Ascoli (1969, IT) attended the module “Diritto e creazione d'artista”

Katia Schneller (1979, FR) attended the module "Recipe for stone soup: How to let time cook us all. Procedures for conversational practice in contemporary art"

Miriam Secco (1981, IT) attended the module "Performative situations in public space: The research and action group"
www.miriamsecco.com

Vittoria Soddu (1986, IT / BE) attended the module "Creating Territorialities"

Roxane Spang (1992, CO / IT) attended the module “Matter as experience”

Vitalij Strigunkov (1990, LT) attended the module "Recipe for stone soup: How to let time cook us all. Procedures for conversational practice in contemporary art"
https://sites.google.com/site/strigunkovart/home

Muhammad Taymour (1985, EG) attended the module “Terrain Vague” and "Why do I do what I do?"

Fabienne Trotte (1971, FR) attended the module “Matter as experience” 
http://cargocollective.com/devenirpaysage

Laurent Vernet (1982, CA) attended the module "Performative situations in public space: The research and action group"
http://www.laurent-vernet.com/about

Asia Valencic (1991, IT) attended the module “Terrain Vague” 
http://issuu.com/asiavalencic/docs/public_outdoor_design
http://cargocollective.com/asiavalencic

Valerio Veneruso (1984, IT) attended the module “Photocopy tales: Publications and visual essays”
https://dadavs.wordpress.com/